I was preparing for a recent trip and wanted to know what the best lens for street photography would be for my Fuji. There are so many options when it comes to photography gear and it can get quite confusing. Today I’m going to break down all that you need to know about the best Fujifilm lens for travel, street photography and more!
I would like to share my favorite fuji lens for travel, street and landscape photography. I’ll also show you some sample picture and tell you their story. Let’s look at my five favorite fuji lens:
The Fujifilm XF lenses are designed for modern, high-resolution digital cameras. They offer high performance features that make the most of their compatibility with high-megapixel sensors. The wide viewing angle capability when used with a “crop” sensor digital camera is the same as with 35mm format.
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One of the most common questions that I get from my blog readers is the following: “What is the best fast lens for street photography?” There are various answers to this question, such as a 23mm, 35mm or 56mm lens. And while these options are good, they won’t satisfy everyone’s needs. Two years ago I would have answered a 56mm lens; however, these days I am leaning towards a 35mm as my best street photography lens.
Finding the perfect lens for street photography can be a struggle. Especially if you’re working with limited resources. I know what you’re thinking — go with a Fuji. But the problem is, there are just so many Fuji lenses to choose from, that it can lead to camera envy.
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The best lens for street photography fujifilm
For me, street photography is all about traveling light, and I get really want to be walking the streets with a big bag full of lenses.
So today, I’ll show you how to use the lenses I do.
And I’ll give you my top tip for lens choice and constraints.
As with most considerations about the lens, the choice is a very personal thing.
I’ve been doing this for a long time, and what works for me.
Let’s drive-in:
Fujifilm 56mm F1.2: (Best Fuji lens for Night street photography)
I’ve been using Fuji film for roughly four years now, and 56 F1.2 is a lens that keeps getting recommended to me.
I’ve always been interested in trying it out, but I’ve never got around to it, and yet it’s given me a major headache on whether to buy this lens or not.
I like using longer focal lengths like 50 millimeters, 56 millimeters 90 millimeters for street photography.
I know lenses like this are generally used for portrait stuff in studio work.
But when taking street photos, I find it can be a bit more creative when using longer focal lengths rather than wide focal lengths.
I’m just going to share my thoughts on using this lens for roughly three weeks.
So I rigged it in this unit from Fujifilm as I’m still deciding whether to buy this lens or not; I’m going to discuss that in more detail.
So let’s kick things off by talking about some of the things I like about the Fujifilm 56 F1.2, and the main reason I’ll take up a lens like this is to shoot at F1.2.
So what that means is you can get a much shallower depth fulfilled with this lens, and it allows you to be more creative.
When you’re taking photos at night, the images, a lot cleaner, a lot sharper.
There is a big difference that should have 1.2 at night, which brings me to my second point: image quality.
Now, even at 1.2, the photos taken with this lens are absolutely crisp.
So the 56 F1.2 probably renders the best backgrounds I’ve seen from all the Fujifilm lenses that are the focus areas are creamy, the bokeh is nice and round, especially at F1.2.
For a lens that is F 1.2 and has so much gloss in it, and it’s so fast, and it’s actually pretty light.
It was nice in hand, especially when you’re out there taking photos, which is what made the metal act during is nice and smooth.
So they’re the main things I like about this 56 F1.2, and now I’m going to talk about some of the things I dislike about this lens.
And the first point, and it’s the main point and this, the main reason which is holding me back from flying this lens is that this 56 F1.2 isn’t water-resistant.
Yeah, I really wish this 56 1.2 at Weber ceiling, because for me, that would have made it pretty much the perfect street photography lens.
Next up, and it’s not a major point, but it’s the closest focus in the distance for this lens.
So the minimum focusing distance for the 56 1.2 is 70 centimeters.
Now there’s no massive problem when you’re taking photos on the street because it’s the 56-millimeter lens.
You don’t have to get brighten people’s faces, so that’s not really a big issue there.
So there is that; it definitely is slower, so it’s something you have to watch out for.
If you’re taking photos of false moving subjects, this may not be the lens for you.
But I will say that this lens actually made me want to go out and take photos, which I can’t say for many other lenses I’ve ever used.
And I really liked the photos which come out of it. I highly recommend this lens.
When I first bought this lens, I put it on the camera straightaway when I walked out of the shop, which is the first photo I took. It made me think; this is definitely a street photography lens.
56-millimeter F 1.2 is basically 85-millimeter equivalent, giving you that nice telephoto portrait kind of field of view, which I find excellent for street photography.
It’s well known to be a slow lens because it’s pretty bulky and big.
It allows me to keep that low profile of being on the street.
And having that telephoto range allows me to get nice shots that are not in anyone’s face, not in anyone’s way.
But still focusing on that moment and really framing in on what’s happening in that urban environment.
Sharing that urban story of the which, in my subjective opinion, is what street photography is about.
It doesn’t have to be on the street but really share that story of the environment that you live in, share the city, or wherever you live to share that with the world and let them know what it feels like to be there.
I also love this lens for videography.
F1.2, with a 56 millimeter gives you a nice dynamic visual that you can actually feel like you’re there.
Feels close, brings it all together, and tie in everything nicely, and obviously, for portraits, this length kills it.
Let’s be honest; I bought this lens with my own money for 1.2 low light. It just makes everything come together.
Every lens has its pros and cons.
I find that bringing something new to the table brings that low light capability, brings in that stealth lift where you can; you don’t have to be so close and focus on something, getting a new look very unique.
Pros
- Extremely sharp.
- Less distortion.
- Best for portraits.
- Best for low light conditions.
Cons
- Slow to focus.
- No image stabilization.
- No weather-resistant.
Best Fuji lens for hiking
If you are going hiking, I recommend you buy the Fuji 10-24mm F4 lens to capture those stunning mountain landscapes.
Details
BrandFujifilmLens TypeWide AngleCompatible MountingsFujifilm XCamera Lens Description4Maximum Focal Length24 Millimeters
Note: Products with electrical plugs are designed for use in the US. Outlets and voltage differ internationally and this product may require an adapter or converter for use in your destination.
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