Hiti photo printers are popular for their high-quality prints and ease of use. The Hiti S420 is a popular model known for its affordability and excellent performance. In Nigeria, the Hiti S420 has become a popular choice for event photographers and small businesses due to its ease of use and affordability. In this blog post, we will explore the Hiti photo printer S420 price in Nigeria, and other factors that make it an attractive option for those looking to invest in a photo printer. Keywords: Hiti photo printer S420, price in Nigeria, affordability, high-quality prints.
The Hiti S420 photo printer is a popular choice for those looking to produce high-quality prints at an affordable price. One of the key factors that make the Hiti S420 so attractive is its compatibility with a wide range of paper types, including glossy and matte finishes. In Nigeria, the cost of paper can be a significant factor when considering the cost of running a photo printing business. In this blog post, we will explore the Hiti photo printer S420 paper price in Nigeria and other factors to consider when choosing the right paper for your printing needs. Keywords: Hiti photo printer S420, paper price in Nigeria, compatibility, high-quality prints.
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Hiti photo printer s420 price in Nigeria
The Hiti S420 photo printer is a popular and affordable option for event photographers, small businesses, and individuals looking to produce high-quality prints. The Hiti S420 is known for its excellent performance, user-friendly interface, and compatibility with a wide range of paper types. In Nigeria, the price of the Hiti S420 can vary depending on several factors, including the seller, location, and availability.
As of February 2023, the average price of the Hiti S420 photo printer in Nigeria ranges from ₦70,000 to ₦90,000. However, the price can be higher or lower depending on the seller and location. It is important to note that some sellers may offer the printer at a higher price due to additional services or accessories included in the purchase.
When purchasing the Hiti S420, it is essential to consider the seller’s reputation and authenticity of the product. It is recommended to buy from authorized dealers or reputable sellers to ensure the product’s authenticity and after-sales support.
Additionally, it is essential to consider the cost of running the printer, including the cost of paper and ink. The Hiti S420 uses a dye-sublimation printing technology that requires special paper and ink cartridges. The cost of the paper and ink can vary depending on the brand and quality.
Mechanics
Basic elements of a modern digital single-lens reflex (SLR) still camera
Most cameras capture light from the visible spectrum, while specialized cameras capture other portions of the electromagnetic spectrum, such as infrared.[2]: vii
All cameras use the same basic design: light enters an enclosed box through a converging or convex lens and an image is recorded on a light-sensitive medium.[3] A shutter mechanism controls the length of time that light enters the camera.[4]: 1182–1183
Most cameras also have a viewfinder, which shows the scene to be recorded, along with means to adjust various combinations of focus, aperture and shutter speed.[5]: 4
Exposure control
Main article: Exposure (photography)
Aperture
Main article: Aperture
Different apertures of a lens
Light enters a camera through the aperture, an opening adjusted by overlapping plates called the aperture ring.[6][7][8] Typically located in the lens,[9] this opening can be widened or narrowed to alter the amount of light that strikes the film or sensor.[6] The size of the aperture can be set manually, by rotating the lens or adjusting a dial, or automatically based on readings from an internal light meter.[6]
As the aperture is adjusted, the opening expands and contracts in increments called f-stops.[a][6] The smaller the f-stop, the more light is allowed to enter the lens, increasing the exposure. Typically, f-stops range from f/1.4 to f/32[b] in standard increments: 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, and 32.[11] The light entering the camera is halved with each increasing increment.[9]
The wider opening at lower f-stops narrows the range of focus so the background is blurry while the foreground is in focus. This depth of field increases as the aperture closes. A narrow aperture results in a high depth of field, meaning that objects at many different distances from the camera will appear to be in focus.[12] What is acceptably in focus is determined by the circle of confusion, the photographic technique, the equipment in use and the degree of magnification expected of the final image.[13]
Shutter
Main article: Shutter (photography)
The shutter, along with the aperture, is one of two ways to control the amount of light entering the camera. The shutter determines the duration that the light-sensitive surface is exposed to light. The shutter opens, light enters the camera and exposes the film or sensor to light, and then the shutter closes.[9][14]
There are two types of mechanical shutters: the leaf-type shutter and the focal-plane shutter. The leaf-type uses a circular iris diaphragm maintained under spring tension inside or just behind the lens that rapidly opens and closes when the shutter is released.[11]
A focal-plane shutter. In this shutter, the metal shutter blades travel vertically.
More commonly, a focal-plane shutter is used.[9] This shutter operates close to the film plane and employs metal plates or cloth curtains with an opening that passes across the light-sensitive surface. The curtains or plates have an opening that is pulled across the film plane during exposure. The focal-plane shutter is typically used in single-lens reflex (SLR) cameras, since covering the film (rather than blocking the light passing through the lens) allows the photographer to view the image through the lens at all times, except during the exposure itself. Covering the film also facilitates removing the lens from a loaded camera, as many SLRs have interchangeable lenses.[6][11]
A digital camera may use a mechanical or electronic shutter, the latter of which is common in smartphone cameras. Electronic shutters either record data from the entire sensor at the same time (a global shutter) or record the data line by line across the sensor (a rolling shutter).[6] In movie cameras, a rotary shutter opens and closes in sync with the advancement of each frame of film.[6][15]
The duration for which the shutter is open is called the shutter speed or exposure time. Typical exposure times can range from one second to 1/1,000 of a second, though longer and shorter durations are not uncommon. In the early stages of photography, exposures were often several minutes long. These long exposure times often resulted in blurry images, as a single object is recorded in multiple places across a single image for the duration of the exposure. To prevent this, shorter exposure times can be used. Very short exposure times can capture fast-moving action and eliminate motion blur.[16][11][6][9] However, shorter exposure times require more light to produce a properly-exposed image, so shortening the exposure time is not always possible.
Like aperture settings, exposure times increment in powers of two. The two settings determine the exposure value (EV), a measure of how much light is recorded during the exposure. There is a direct relationship between the exposure times and aperture settings so that if the exposure time is lengthened one step, but the aperture opening is also narrowed one step, then the amount of light that contacts the film or sensor is the same.[9]
Metering
Main article: Light meter
A handheld digital light meter showing an exposure of 1/200th at an aperture of f/11, at ISO 100. The light sensor is on top, under the white diffusing hemisphere.
In most modern cameras, the amount of light entering the camera is measured using a built-in light meter or exposure meter.[c] Taken through the lens (called TTL metering), these readings are taken using a panel of light-sensitive semiconductors.[7] They are used to calculate optimal exposure settings. These settings are typically determined automatically as the reading is used by the camera’s microprocessor. The reading from the light meter is incorporated with aperture settings, exposure times, and film or sensor sensitivity to calculate the optimal exposure.[d]
Light meters typically average the light in a scene to 18% middle gray. More advanced cameras are more nuanced in their metering– weighing the center of the frame more heavily (center-weighted metering), considering the differences in light across the image (matrix metering), or allowing the photographer to take a light reading at a specific point within the image (spot metering).[12][16][17][6]
Lens
Main articles: Camera lens and Photographic lens design
The lens of a camera captures light from the subject and focuses it on the sensor. The design and manufacturing of the lens are critical to photo quality. A technological revolution in camera design during the 19th century modernized optical glass manufacturing and lens design. This contributed to the modern manufacturing processes of a wide range of optical instruments such as reading glasses and microscopes. Pioneering companies include Zeiss and Leitz.
Camera lenses are made in a wide range of focal lengths, such as extreme wide angle, standard, and medium telephoto. Lenses either have a fixed focal length (prime lens) or a variable focal length (zoom lens). Each lens is best suited to certain types of photography. Extreme wide angles might be preferred for architecture due to their ability to capture a wide view of buildings. Standard lenses commonly have a wide aperture, and because of this, they are often used for street and documentary photography. The telephoto lens is useful in sports and wildlife but is more susceptible to camera shake, which might cause motion blur.[18]
Focus
An image of flowers, with one in focus. The background is out of focus.
The distance range in which objects appear clear and sharp, called depth of field, can be adjusted by many cameras. This allows for a photographer to control which objects appear in focus, and which do not.
Due to the optical properties of a photographic lens, only objects within a limited range of distance from the camera will be reproduced clearly. The process of adjusting this range is known as changing the camera’s focus. There are various ways to accurately focus a camera. The simplest cameras have fixed focus and use a small aperture and wide-angle lens to ensure that everything within a certain range of distance from the lens, usually around 3 meters (10 ft.) to infinity, is in reasonable focus. Fixed focus cameras are usually inexpensive, such as single-use cameras. The camera can also have a limited focusing range or scale-focus that is indicated on the camera body. The user will guess or calculate the distance to the subject and adjust the focus accordingly. On some cameras, this is indicated by symbols (head-and-shoulders; two people standing upright; one tree; mountains).
Rangefinder cameras allow the distance to objects to be measured employing a coupled parallax unit on top of the camera, allowing the focus to be set with accuracy. Single-lens reflex cameras allow the photographer to determine the focus and composition visually using the objective lens and a moving mirror to project the image onto a ground glass or plastic micro-prism screen. Twin-lens reflex cameras use an objective lens and a focusing lens unit (usually identical to the objective lens) in a parallel body for composition and focus. View cameras use a ground glass screen which is removed and replaced by either a photographic plate or a reusable holder containing sheet film before exposure. Modern cameras often offer autofocus systems to focus the camera automatically by a variety of methods.[19]
Experimental cameras such as the planar Fourier capture array (PFCA) do not require focusing to take pictures. In conventional digital photography, lenses or mirrors map all of the light originating from a single point of an in-focus object to a single point at the sensor plane. Each pixel thus relates an independent piece of information about the far-away scene. In contrast, a PFCA does not have a lens or mirror, but each pixel has an idiosyncratic pair of diffraction gratings above it, allowing each pixel to likewise relate an independent piece of information (specifically, one component of the 2D Fourier transform) about the far-away scene. Together, complete scene information is captured, and images can be reconstructed by computation.
Some cameras support post-focusing. Post focusing refers to taking photos that are later focused on a computer. The camera uses many tiny lenses on the sensor to capture light from every camera angle of a scene, which is known as plenoptic technology. A current plenoptic camera design has 40,000 lenses working together to grab the optimal picture.[20]
Image capture on film
Main article: Film formats
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Traditional cameras capture light onto photographic plates, or photographic film. Video and digital cameras use an electronic image sensor, usually a charge-coupled device (CCD) or a CMOS sensor to capture images which can be transferred or stored in a memory card or other storage inside the camera for later playback or processing.
A wide range of film and plate formats have been used by cameras. In the early history plate sizes were often specific for the make and model of cameras although there quickly developed some standardization for the more popular cameras. The introduction of roll film drove the standardization process still further so that by the 1950s only a few standard roll films were in use. These included 120 films providing 8, 12 or 16 exposures, 220 films providing 16 or 24 exposures, 127 films providing 8 or 12 exposures (principally in Brownie cameras) and 135 (35mm film) providing 12, 20 or 36 exposures – or up to 72 exposures in the half-frame format or bulk cassettes for the Leica Camera range.
For cine cameras, film 35mm wide and perforated with sprocket holes was established as the standard format in the 1890s. It was used for nearly all film-based professional motion picture production. For amateur use, several smaller and therefore less expensive formats were introduced. 17.5mm film, created by splitting 35mm film, was one early amateur format, but 9.5mm film, introduced in Europe in 1922, and 16 mm film, introduced in the US in 1923, soon became the standards for “home movies” in their respective hemispheres. In 1932, the even more economical 8mm format was created by doubling the number of perforations in 16mm film, then splitting it, usually after exposure and processing. The Super 8 format, still 8mm wide but with smaller perforations to make room for substantially larger film frames, was introduced in 1965.
Film speed (ISO)
Traditionally used to tell the camera the film speed of the selected film on film cameras, film speed numbers are employed on modern digital cameras as an indication of the system’s gain from light to numerical output and to control the automatic exposure system. Film speed is usually measured via the ISO 5800 system. The higher the film speed number, the greater the film sensitivity to light, whereas with a lower number, the film is less sensitive to light.[21]
White balance
In digital cameras, there is electronic compensation for the color temperature associated with a given set of lighting conditions, ensuring that white light is registered as such on the imaging chip and therefore that the colors in the frame will appear natural. On mechanical, film-based cameras, this function is served by the operator’s choice of film stock or with color correction filters. In addition to using white balance to register the natural coloration of the image, photographers may employ white balance to aesthetic end– for example, white balancing to a blue object to obtain a warm color temperature.[22]
Camera accessories
Flash
A flash provides a short burst of bright light during exposure and is a commonly-used artificial light source in photography. Most modern flash systems use a battery-powered high-voltage discharge through a gas-filled tube to generate bright light for a very short time (1/1,000 of a second or less).[e][17]
Many flash units measure the light reflected from the flash to help determine the appropriate duration of the flash. When the flash is attached directly to the camera—typically in a slot at the top of the camera (the flash shoe or hot shoe) or through a cable—activating the shutter on the camera triggers the flash, and the camera’s internal light meter can help determine the duration of the flash.[17][12]
Additional flash equipment can include a light diffuser, mount and stand, reflector, soft box, trigger and cord.
Other accessories
Accessories for cameras are mainly used for care, protection, special effects, and functions.
Lens hood: used on the end of a lens to block the sun or other light source to prevent glare and lens flare (see also matte box).
Lens cap: covers and protects the camera lens when not in use.
Lens adapter: allows the use of lenses other than those for which the camera was designed.
Filter: allows artificial colors or changes light density.
Lens extension tube: allows close focus in macro photography.
Care and protection: includes camera case and cover, maintenance tools, and screen protector.
Camera monitor: provides an off-camera view of the composition with a brighter and more colorful screen, and typically exposes more advanced tools such as framing guides, focus peaking, zebra stripes, waveform monitors (oftentimes as an “RGB parade”), vectorscopes and false color to highlight areas of the image critical to the photographer.
Tripod: primarily used for keeping the camera steady while recording video, doing a long exposure, and time-lapse photography.
Microscope adapter: used to connect a camera to a microscope to photograph what the microscope is examining.
Cable release: used to remotely control the shutter using a remote shutter button that can be connected to the camera via a cable. It can be used to lock the shutter open for the desired period, and it is also commonly used to prevent camera shake from pressing the built-in camera shutter button.
Dew shield: prevents moisture build-up on the lens.
UV filter: can protect the front element of a lens from scratches, cracks, smudges, dirt, dust, and moisture while keeping a minimum impact on image quality.
Battery and sometimes a charger.
Large format cameras use special equipment that includes magnifier loupe, viewfinder, angle finder, and focusing rail/truck. Some professional SLRs can be provided with interchangeable finders for eye-level or waist-level focusing, focusing screens, eyecup, data backs, motor-drives for film transportation or external battery packs.
Primary types
Single-lens reflex (SLR) camera
Main article: Single-lens reflex camera
Further information: Instant return mirror
Nikon D200 digital camera
In photography, the single-lens reflex camera (SLR) is provided with a mirror to redirect light from the lens to the viewfinder prior to releasing the shutter for composing and focusing an image. When the shutter is released, the mirror swings up and away, allowing the exposure of the photographic medium, and instantly returns after the exposure is finished. No SLR camera before 1954 had this feature, although the mirror on some early SLR cameras was entirely operated by the force exerted on the shutter release and only returned when the finger pressure was released.[23][24] The Asahiflex II, released by Japanese company Asahi (Pentax) in 1954, was the world’s first SLR camera with an instant return mirror.[25]
In the single-lens reflex camera, the photographer sees the scene through the camera lens. This avoids the problem of parallax which occurs when the viewfinder or viewing lens is separated from the taking lens. Single-lens reflex cameras have been made in several formats including sheet film 5×7″ and 4×5″, roll film 220/120 taking 8,10, 12, or 16 photographs on a 120 roll, and twice that number of a 220 film. These correspond to 6×9, 6×7, 6×6, and 6×4.5 respectively (all dimensions in cm). Notable manufacturers of large format and roll film SLR cameras include Bronica, Graflex, Hasselblad, Mamiya, and Pentax. However, the most common format of SLR cameras has been 35 mm and subsequently the migration to digital SLR cameras, using almost identical sized bodies and sometimes using the same lens systems.
Almost all SLR cameras use a front-surfaced mirror in the optical path to direct the light from the lens via a viewing screen and pentaprism to the eyepiece. At the time of exposure, the mirror is flipped up out of the light path before the shutter opens. Some early cameras experimented with other methods of providing through-the-lens viewing, including the use of a semi-transparent pellicle as in the Canon Pellix[26] and others with a small periscope such as in the Corfield Periflex series.[27]
Large-format camera
Main article: View camera
The large-format camera, taking sheet film, is a direct successor of the early plate cameras and remained in use for high-quality photography and technical, architectural, and industrial photography. There are three common types: the view camera, with its monorail and field camera variants, and the press camera. They have extensible bellows with the lens and shutter mounted on a lens plate at the front. Backs taking roll film and later digital backs are available in addition to the standard dark slide back. These cameras have a wide range of movements allowing very close control of focus and perspective. Composition and focusing are done on view cameras by viewing a ground-glass screen which is replaced by the film to make the exposure; they are suitable for static subjects only and are slow to use.
Hiti photo printer s420 paper price
The Hiti S420 photo printer is a popular option for individuals, small businesses, and event photographers looking to produce high-quality prints at an affordable price. One of the key factors that make the Hiti S420 so attractive is its compatibility with a wide range of paper types, including glossy and matte finishes. In Nigeria, the cost of paper can be a significant factor when considering the cost of running a photo printing business. In this blog post, we will explore the Hiti photo printer S420 paper price in Nigeria and other factors to consider when choosing the right paper for your printing needs.
Paper Types Compatible with Hiti S420
The Hiti S420 is compatible with a wide range of paper types, including glossy, matte, and sticker paper. The printer uses dye-sublimation printing technology, which requires special paper that is designed to work with the printer’s ink cartridges. Hiti S420 paper is typically sold in packs of 50 or 100 sheets and is available in various sizes, including 4×6 inches and 5×7 inches.
Hiti S420 Paper Price in Nigeria
The cost of Hiti S420 paper in Nigeria can vary depending on several factors, including the brand, quality, and quantity. As of February 2023, the average price of a pack of 100 sheets of Hiti S420 glossy photo paper in Nigeria ranges from ₦8,000 to ₦12,000. Matte and sticker paper are usually slightly cheaper, with a pack of 100 sheets costing between ₦6,000 and ₦10,000.
It is essential to note that the cost of paper may vary depending on the seller and location. Some sellers may offer discounts or promotions for bulk purchases, which can help to reduce the overall cost of paper.
Factors to Consider When Choosing Hiti S420 Paper
When choosing the right paper for your Hiti S420 printer, there are several factors to consider, including:
- Paper Type: The Hiti S420 is compatible with a wide range of paper types, including glossy, matte, and sticker paper. It is essential to choose the right paper type for your specific printing needs.
- Quality: The quality of the paper can affect the overall quality of the print. It is important to choose high-quality paper to produce sharp and vibrant prints.
- Size: The Hiti S420 is compatible with various paper sizes, including 4×6 inches and 5×7 inches. It is essential to choose the right paper size for your specific printing needs.
- Cost: The cost of paper can vary depending on the brand, quality, and quantity. It is important to consider the cost of paper when determining the overall cost of running your photo printing business.
Conclusion
In conclusion, the Hiti S420 photo printer is a popular and affordable option for individuals, small businesses, and event photographers looking to produce high-quality prints. The printer is compatible with a wide range of paper types, including glossy, matte, and sticker paper. The cost of Hiti S420 paper in Nigeria can vary depending on several factors, including the brand, quality, and quantity. When choosing the right paper for your Hiti S420 printer, it is essential to consider factors such as paper type, quality, size, and cost. By choosing the right paper for your printing needs, you can produce high-quality prints and keep your printing costs under control.
