Learn how to remove background noise in your microphone with these simple tips, tricks and strategies. Use a headset that outperforms ordinary computer or home phone mics, with a mic designed to pick up your voice while rejecting unwanted noises.

If you are looking for a headset that is not only the best in terms of audio quality, but also one that can handle the noise of your surroundings, then this is the headset for you.

If you’re looking for a microphone that won’t pick up background noises, then you’ve come to the right place. After testing dozens of podcast mics and gaming headsets, we narrowed down our search to the four best podcasting microphones that can help you remove background noise.

This is a gaming microphone that doesn’t pick up background noise and makes you sound as if you are in front of the crowd. It has a built-in recording software that allows you to remove noise on the fly.

The headset comes with a noise canceling and noise isolating technology that helps you to tune-out the background noise. Connecting the earphones are some of the most important aspects of gaming peripherals, especially for pro gamers or those playing competitively on an eSports platform.

No background noise, no distortion. With a build-in mic and 120° adjustable boom arm, the gaming headset offers an excellent sound quality for long hours of gameplay. Its built-in high sensitivity microphone focuses on your voice, so you can always be heard in crystal clear quality.

Noise cancelling microphone, really powerful, best mic for background noise reddit, you need to set the correct recording format and audio quality.

Best headset mic for noisy environment

The best way to get rid of background noise is to invest in a good microphone. While there are many mics designed for gaming, these will pick up much less background noise than a normal microphone and some come with an exclusive feature for eliminating ambient noise

When you want to say something to your team, but the background noise is too loud, you will use this gaming headset microphone that doesn’t pickup background noise. The perfect headset for gamers who want to be heard clearly through their microphone, without the annoying white noise static and other distracting sounds

With its computer noise-canceling capabilities and exceptional sound quality, this headset is the ideal all-around gaming microphone. Our technology partners also work with many voiceover artists, podcasters and professional streamers to develop advanced audio recording tools like noise reduction.

Sound quality is the first and most important thing, but that doesn’t mean it should be the only factor you consider when buying a gaming microphone. It’s also worth looking into how comfortable it is to use over long periods of time, as well as whether it picks up a lot of background noise from your environment.

I personally prefer higher quality recording, but if your desktop microphone picks up sound from your keyboard or mouse, go for a USB solution. If you need to record multiple people in a conference call or conference room, take a look at our list of the best conference microphones.”

For every budget, what are the best microphones for blocking out background noise for Livestream, podcasts, recording vocals, spoken word, etc?

Gaming mic that doesn’t pickup background noise

We creators are very passionate about our art. Whether it’s recording music, podcasting, Livestream, talk radio, interviews for your website, youtube, voice-overs, or whatever else it may be; It’s a complete shame when our passion is destroyed by something simple like background noise.

To keep it simple, there are two main factors that a microphone needs to reject a noisy background.

Dynamic microphones are much better at reducing background noise than condenser mics.

Hypercardioid and supercardioid Microphones are better at reducing background noise due to the capsules smaller range of picking up audio. Hypercardioid is better than supercardiod.

In Short, Here Are The 9 Best Studio Microphones For Blocking Out Background Noise: Every Budget

Samson C01U Hypercardioid

Shure SM7B

Shure Super 55 Deluxe

Electro Voice RE-20 

CAD Audio Equitek E100S

AKG C414 XLII

sE Electronics T2

Neumann M 149 Tube

Lewitt LCT-840

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  1. Samson C01U Hypercardioid

$86

The Samson C01U is a very affordable USB microphone that does not need an additional interface to use. It’s excellent with background noise rejection due to its rare polar pattern being a Hypercardioid. In general, the vast majority of microphones have a cardioid polar pattern meaning it picks up sound in the general front area of the mic. Like many microphones on this list, a supercardioid has an even tighter range. It picks up sound directly in front of the mic. Better yet, a Hypercardioid like the Samson C01U has the tightest range of all when it comes to picking up sound. This is why supercardioid and Hypercardioid microphones are generally better at rejecting background noise.

The C01U is a sensitive microphone that doesn’t need too much gain allowing you some headroom to play with. I was pleasantly surprised that it produces a very natural and crisp sound for its extremely low price. Another benefit of this microphone’s sound quality is its large-diaphragm mic with exceptional frequency response at 20Hz-18KHz.

The Samson C01U is an absolute flawless bang for the buck microphone for rejecting background noise while maintaining exceptional sound quality.

Features

USB mic connection

Hypercardioid polar pattern for phenomenal background noise rejection

Compatible with any computer-based Digital Audio Workstation

Large shock-mounted diaphragm

16-bit/48kHz sampling rate

Full metal body and grill

No latency earphone monitoring 

Included Accessories

Swivel mount

Mini tripod stand

Tech Specs

Microphone Type:CondenserFrequency Response:20Hz-18KHzBuild:MetalSample rate:48kPolar Pattern:HypercardioidPower Requirement:USB

  1. Shure SM7B

$399

Does this microphone look familiar? You’ve probably seen it on the Joe Rogan podcast. The Shure SM7B is one of the most popular dynamic microphones in its price range. Like most dynamic microphones, it’s incredible at rejecting background noise and electromagnetic hum. It has a flat frequency response that can help smoothen out a nasal voice while maintaining clear vocal clarity.

The Shure SM7B has two switches on the back for a presence boost and a high pass filter. This mic has a built-in windscreen while built like a tank with solid metal. In my opinion, one of the most significant downsides to the SM7B is it’s one of the quietest microphones on the market. You are going to need an excellent interface to capture the true essence of this mic.

Features

Flat, wide-range frequency response

Dynamic Microphone

Improved rejection of electromagnetic hum

Easy mounting and dismounting with captive stand nut

Included Accessories

Windscreen

Tech Specs

Microphone Type:DynamicFrequency Response:50Hz-20kHzSensitivity:-59dBOutput Impedance:150 ohmsPolar Pattern:Cardioid

  1. Shure Super 55 Deluxe

$249

If you’re on video or stage with a beautiful Elvis Presley microphone like this, you will instantly receive an extra 50 points in my book. Two powerful components make the Shure Super 55 Deluxe an incredible background noise killer. (1) It’s a dynamic microphone that is naturally better at rejecting background noise. (2) The polar pattern is supercardioid that has a smaller audio pickup range than most microphones. The off-axis rejection for the Super 55 is utterly superb.

The Shure Super 55 Deluxe is an overall great background noise rejection microphone for studio, podcast, speech, and stage use. The mic is designed to be set up on a standard mic stand that does not come with the purchase. The Shure Super 55 Deluxe not only has an incredible vintage look, but it’s one of the best with background noise rejection.

Features

Dynamic Microphone

Great Off-Axis rejection with Supercardioid polar pattern

Reduced handling noise with Shock-mounted cartridge

Excellent feedback rejection

Low cut for decreasing proximity effect

Presence boost for live vocals cutting through the mix

Included Accessories

Carry Case

Tech Specs

Microphone Type:DynamicFrequency Response:60Hz-17kHzSensitivity:-53dBImpedance:150 ohmsConnector:XLRPolar Pattern:SupercardioidBuild:Metal (few plastic parts)

  1. Electro Voice RE-20 

$399

One of the highest-rated microphones on this list, the Electro Voice RE-20 will not disappoint you. The dynamic microphone is designed for background noise rejection. Better yet, It is entirely immune to the proximity effect.

This means if you’re in a situation where you must record clear vocals or speech in a noisy area, you can decrease the gain on your interface while recording right on top of the mic. Then later boost the voice in post-production. By doing this, your chances of picking up only your voice with no background noise at all substantially increase.

With its large-diaphragm microphone, it can capture more of the acoustic energy than a smaller diaphragm mic. We recommend this mic primarily for broadcast, podcasting, live stream, or voice-overs. However, this mic can be used for singing as well.

The RE-20 produces an incredible amount of air in your voice. In terms of frequency, this mic gives a slight boost in the low end, making your voice sound more powerful. The low-frequency boost is not overbearing considering the small increase in the highs mixed with a cut in the mids maintains excellent clarity in your voice.

Features

No Proximity Effect

Internal pop filter

Dynamic microphone with a large-diaphragm

Included Accessories

Carry Case

Stand Mount

Tech Specs

Microphone Type:DynamicFrequency Response:45Hz-18kHzImpedance:150 ohms Polar Pattern:CardioidSensitivity:1.5 mV/pascal

  1. CAD Audio Equitek E100S

$425

If your looking for the warm but vintage sound produced from a large diaphragm supercardioid condenser microphone, look no further than the CAD Audio Equitek E100S. The supercardioid polar pattern has remarkable results in background noise rejection.

Like all supercardioids, you must speak or sing directly in front of the mic. The noise isolation of this microphone is superb while maintaining very low self-noise. Not to mention, the E100 also has a remarkable extended low-frequency response.

Many people claim the E100S (at $430) sounds almost identical to a Schoeps CMC 6 which is a $1655 microphone. This indeed is yet another microphone that sounds better than its cost. The flat response with a hint of extra air in the upper frequencies gives just enough clarity in your voice a smooth but bright tone. This mic is very hot and does need a sufficient amount of 48V of phantom power.

Features

Made in the USA

10dB pad

80Hz high-pass filter

Extended low-frequency response

Abnormally low self-noise

Hi-Pass: 80Hz Attenuator: 10dB

Included Accessories

Vintage woodgrain cherry case

Shockmount

Tech Specs

Microphone Type:CondenserFrequency Response:40Hz-18KHzSensitivity:-30dBVImpedance:150 ohmsMax SPL:150dBPolar Pattern:SupercardioidSelf Noise:3.7 dBAPower Requirement:48V phantom power

  1. AKG C414 XLII

$944

The AKG C414 XLII is a condenser microphone with nine switchable polar patterns. One of the nine switchable polar patterns is hypercardioid. As mentioned previously, the hypercardioid polar pattern has the absolute tightest range of picking up audio for the best background noise rejection possible.

The C414 is optimized explicitly for vocals and rightfully so. It has a nice top-end presence boost that delivers bright and clear vocal sound quality. To be clear, this is a high-level microphone that is pricey but well worth it. Considering a microphone under $500 on this list will get the job done for a podcast and live stream, we primarily recommend this microphone for singing.

On the front of the AKG C414 XLII is an led light that flashes when it’s clipping. However, on the back of the microphone, it has two features that certainly come in handy. (1) It’s Pre-attenuation pad gives you the option to cut dB from 0, -6dB, -12dB, and -18dB. (2) You have the option to use three different bass cut filters from 12dB/octave at 40Hz, 12dB/octave at 80Hz, and 6dB/octave at 160Hz. In case the hypercardioid polar pattern isn’t able to get rid of every bit of background noise, experimenting with both of these features will most likely do the trick.

Features

Multi-pattern condenser microphone

Switchable pad 0dB, -6dB, -12dB, -18dB

Full frequency range of 20hz-20kHz

Superb dynamic range of 152dB

Bass cut filter slope: 12dB/octave at 40Hz and 80Hz; 6dB/octave at 160Hz 9 switchable polar patterns

Requires 48-volt phantom power

Included Accessories

Pop filter

Spider-type shockmount

Carrying case

Windscreen

Tech Specs

Microphone Type:CondenserFrequency Response:20hz-20kHzImpedance:200 ohmsSelf Noise:6dBSignal to Noise Ratio:88dBPolar Pattern:Omni, Wide Cardioid, Cardioid, Hypercardioid, Figure-8Dynamic Range:152dBPower Requirement:48-volt phantom power

  1. sE Electronics T2

$499

The sE Electronics T2 Titanium sounds fantastic with its custom handcrafted capsule. The diaphragm is made of titanium that allows a very quick transient response. With four different polar patterns to choose from, this microphone is extremely versatile for its price. One of the four patterns is supercardioid for incredible background noise rejection. The mic offers a full range of sound with a frequency response of 20Hz-20KHz. Many people rave about this microphone’s ability to capture spoken word, low end, and loud percussive instruments.

Features

Titanium capsule captures the punch and impact of percussive sources

4 polar patterns: cardioid, supercardioid, figure-8, and Omni

Included Accessories

Durable flight case

Shockmount 

Tech Specs

Microphone Type:CondenserFrequency Response:20Hz-20KHzImpedance:50 ohmsMax SPL:122dBPolar Pattern:Cardioid, Supercardioid, Omni, Figure-8Connector:XLRSelf Noise:16dBPower Requirement:+48V phantom power

  1. Neumann M 149 Tube

$5000

The Neumann M 149 Tube Variable Dual-diaphragm is the top-of-the-line studio condenser microphone with the perfect combination of modern technology and vintage sound. Of its nine different polar pattern options to use, its hypercardioid polar pattern is flawless at reducing background noise. Although this mic is by far the most expensive on this list, it delivers top-of-the-line sound quality, versatility, durability, and that excellent vintage tube sound.

Versatility is one of the Neumann M 149’s most substantial advantages. It’s not only flawless for recording vocals and spoken word, but it excels in recording instruments of any type.

Features

9 different patterns including hypercardioid for reduced background noise

20Hz-20kHz frequency response

Included Accessories

Shock Mount

Carry Case

Tech Specs

Microphone Type:Tube CondenserFrequency Response:20Hz-20kHzSignal to Noise Ratio:78dB, 81dB, 83dBImpedance:50 ohmsMax SPL:136dBPolar Pattern:Hypercardioid, Wide Angle Cardioid, Cardioid, Hypercardioid, Figure-8Self Noise:16dB, 13dB, 11dB

9. Lewitt LCT-840

One of the most underrated microphones in the game is the vintage-style Lewitt LCT-840. It has a super-cardioid polar pattern option which dramatically reduces unwanted background noise. For those who do know about this microphone, nothing but incredible ratings across the board.

It has a large-diaphragm tube condenser that captures extraordinary sound quality. It produces one of the most naturally powerful tube sounds I have ever. The natural transient response, warm tube sound, and articulate airy tone, all give this mic unique benefits. The three adjustable pads help with capturing louder audio sources in case you record an instrument.

Like all microphones on this list, the Lewitt LCT-840 has a fantastic build quality and design. It’s entirely made of solid metal with an oversized tube inspection window on the front. This mic sounds great for singers, acoustic, overhead drums, piano, guitar cab, bass cab, brass, and woodwind instruments. However, it was explicitly optimized for vocals. This mic is yet another one of the quietest condensers on the market with a self-noise of only 9dB.

A massive benefit with the Lewitt LCT-840 is the five adjustable polar patterns: Cardioid, broad cardioid, figure-8, supercardioid, and Omni-directional. Most people use the cardioid polar pattern for vocals in the studio. However, using supercardioid is best to use on stage during a live performance. An omnidirectional or broad cardioid polar pattern is best to capture the room depending on where you set the microphone up.

Overall, the Lewitt LCT-840 is an exceptional microphone with a super-cardioid polar pattern to reduce background noise. It produces one of our favorite tube sounds compared to the majority of microphones on the market.

This mic is fantastic for singers and is versatile enough for instruments as well. You will not need to work too hard to make it sound good. The Lewitt LCT-840 does not require phantom power.

Included Accessories

Storage case

Windscreen

Shockmount

Features and Details

Oversized tube-inspection window

Extra-large hexagonal

Dynamic range: 130dB

Ultra-thin 1″ externally biased, gold-layered low-mass diaphragms; dual-triode tube

Self-noise: 9dB

Tube capsule

3 adjustable pad: 0dB/ 10dB/ 20 dB

Tech Specs

Microphone Type:CondenserFrequency Response:20Hz – 20kHzMax SPL:139 dBPolar Pattern:Cardioid, broad cardioid, figure-8, supercardioid, and Omni-directionalPower Requirement:Does not require phantom power

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