The best lens for indoor photography is a lens that allows you to take pictures in low light conditions.
Do you want to take a beautiful indoor photo? Don’t worry, the best wide angle lens is here! After decades of research and testing, we found that 35mm is the best focal length for indoor photography. A 35mm lens will not only focus quickly, but it also captures quality pictures with a tight depth of field. In general, lenses with wider angles are better for indoor photography since they allow you to capture more of your subject in one shot.
If you’re looking for the best wide angle lens for indoor photography without flash, then there are a few different options out there on the market. One of them being the Sony 16-35mm F4 ZA OSS, which is built for shooting ultra-wide shots indoors and in low light situations. However it’s not available for every system, so if you have a Nikon or Canon camera, there are also other options out there as well.
Best lens for indoor photography sony
The lenses that offer you a wide angle of view are called Wide Angle Lens. A wider view angle is necessary when you shoot your pictures in an indoor environment. It helps you to include more elements in your picture frame and reduce the distortion at the same time.
If you are looking to capture more of your favorite indoor moments and build on your existing photography skills, this guide will help you take every shot.
Although the lens itself is a manual focus, it does have a focus distance scale and automated distance assist. This feature allows for precise focusing at various distances without having to worry about manual settings and without wasting time.
Best wide angle lens for indoor photography
This guide attempts to answer the question of what is the best wide angle lens for your Nikon or Canon dSLR.
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At A Glance: Our Top 5 Picks for DSLR Wide Angle Lenses
- Nikon 24mm f/1.4GOUR TOP PICK
- Nikon 20mm f/1.8G
- Nikon 10-24mm f/3.5-4.5
- Nikon 14-24mm f/2.8G
- Nikon 16-35mm f/4 VR
Whilst a staple in the camera bags of architecture, landscape and interior photographers, these lenses aRE also immensely popular amongst photojournalism, wedding, sports, and even portrait photographers.
All camera lens manufacturers offer several choices of wide-angle lens. At last count, there were over 20 from Canon and 25 from Nikon, with both zooms and fixed lenses falling into this category.
If you’re a fan of the 50mm focal length, maybe it’s about time you stepped out of your comfort zone and picked up a wider focal length. It could quite literally expand your horizon as a photographer!
Table of Contents
What is a Wide Angle Lens?
From 24mm and wider, we’re entering ultra-wide angle lens territory.
It should also be noted that the difference in your camera’s sensor size will affect any given lens’s actual focal length.
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This means that for those of you shooting with APS-C, MFT or any other crop sensor camera, you’ll need to experiment with much wider focal lengths to achieve a true wide angle lens look to your shots.
I fully appreciate that full frame cameras aren’t available or even necessary for a large portion of Shotkit’s readers which is why I’ve included a handful of good wide angle lens options for anyone shooting with a crop sensor camera.
Also, check this article out if you’re wondering why wide angle lenses command a relatively high price compared to regular lenses, and this article for more on focal lengths in particular.
What are the Benefits of a Wide Angle Lens?
Canon 6D + Canon 16-35mm f/2.8 | by Teddy Kelley
The most obvious use for a wide angle lens is to include more of the scene in your photograph. In some situations, you aren’t able to simply step back a few paces to include more into your camera’s frame.
One example of this is interior photography, with the walls of a house obviously imposing a physical limit to your movement.
Allowing more into your frame with a wide angle lens can also be a powerful story-telling technique, giving you the ability to introduce multiple elements into one photo to convey a fuller story of the scene.
The width of the frame that a wide angle lens allows you to capture can be beneficial when you wish to be close to your subject, but still capture enough of the background in the image to set the scene.
Canon 16-35mm f/2.8 | Copyright Two Mann Studio
Fitting more into your photo isn’t the only usage of a wide angle lens. A wide angle lens can also be used creatively to exaggerate or emphasise the difference in size, or the distance between objects in the foreground and background.
Wide angle lenses also introduce an element of distortion to a picture. Whilst distortion may be something you want to avoid, it can also be used creatively to add impact to an image.
Canon 16-35mm f/2.8 | Copyright Kym Illman
A wide angle lens can often allow you to focus much closer to your subject, bringing with it the ability to play with a subject’s scale and other creative options.
Sony A7R II + Sony 16-35mm f/4 | by Benny Jackson
The Best Wide Angle Lens for Nikon Cameras
Let’s have a closer look at what model is widely regarded as the best wide angle lens for Nikon dSLR cameras.
Nikon 24mm f/1.4G
Nikon 24mm f/1.4G Specifications
Recommended Use: Full Frame
Aperture: f/1.4
Focal Length: 24mm
Dimensions: 3.27 x 3.27 x 3.5 inches
Weight: 620 grams (1.36 lbs)
It’s big… it’s heavy… it’s expensive… but the Nikon 24mm f/1.4G is also often touted as the world’s best wide angle lens. It’s most definitely the best Nikon wide angle lens for prime shooters, and has been since its release in 2010.
Combining the large aperture with the 24mm focal length allows you to shoot hand held at much slower shutter speeds than you may be used to, meaning you have the option to drop the ISO for a cleaner file.
Nikon 24mm f/1.4G | Copyright Sage Justice
Bokeh on the Nikon 24mm f/1.4G is smooth and creamy, but it should be remembered that to get decent subject separation via in/out of focus elements with a wide angle lens (even at f/1,4), you’ll need to focus on a close subject to allow the background some room to fall out of focus.
Shot wide open at f/1.4, the Nikon 24mm f/1.4G is impressively sharp, all the way from the centre of the image to the corners.
Nikon 24mm f/1.4G | Copyright Sage Justice
Sigma offers a Sigma 24mm f/1.4 ART lens at half the price of the Nikon 24mm f/1.4G, and whilst the Sigma’s performance is excellent, the edges of the frame are noticeably less sharp than with the Nikon wide angle lens.
If you’re an architecture or landscape photographer who needs tack sharp images from edge to edge, the Nikon 24mm f/1.4G is still the best wide angle lens option.WHY YOU SHOULD BUY
For the architecture or landscape photographer who needs tack sharp images from edge to edge.
Nikon 20mm f/1.8G
Nikon 20mm f/1.8G Specifications
Recommended Use: Full Frame
Aperture: f/1.8
Focal Length: 20mm
Dimensions: 3.27 x 3.27 x 3.19 inches
Weight: 353 grams (0.78 lbs)
The Nikon 20mm f/1.8G deserves it’s spot in the best wide angle lens for Nikon lineup, since it’s currently Nikon’s sharpest fixed ultra-wide angle lens.
Aside from the amazing performance of the Nikon 20mm f/1.8G, it’s almost half the weight of the Nikon 24mm f/1.4G and over half the price too!
Whilst you’ll no doubt be shooting a lot wide open with this lens, stopping down to the smaller apertures really shows off the incredible sharpness of the Nikon 20mm f/1.8G.
Nikon 20mm f/1.8 | Copyright Jason Vinson
Nikon 20mm f/1.8 | Copyright Jason Vinson
The Nikon 20mm f/1.8G is a firm favourite for astrophotography, but is equally popular for wedding photographers who want an ultra wide angle Nikon lens for that odd group shot featuring 200 guests!
When used on a DX format (crop sensor) Nikon camera, the Nikon 20mm f/1.8G offers a 30mm field of view, which means it remains in the wide angle lens category. The size and weight of the Nikon 20mm f/1.8G actually suits Nikon’s DX cameras such as the Nikon D500 very well, ensuring that the lighter DX camera body is well-balanced with the lens.
I’m a big fan of Nikon’s recent f/1.8 G lens releases and recommend them to any photographer looking for a great value, great performing prime lens. If you’re in the market for a great all-round Nikon ultra wide angle lens, the Nikon 20mm f/1.8G should be at the top of your list.WHY YOU SHOULD BUY
Excellent all-round Nikon ultra wide angle lens. A great performing prime lens at a great value.
Nikon 10-24mm f/3.5-4.5
Nikon 10-24mm f/3.5-4.5 Specifications
Recommended Use: Crop Sensor
Aperture: f/3.5-4.5
Focal Length: 10-24mm (15-36mm equivalent)
Dimensions: 3.27 x 3.27 x 3.43 inches
Weight: 460 grams (1.01 lbs)
As long as you place your subject wisely, you can even use the Nikon 10-24mm f/3.5-4.5 for dramatic environmental portraiture with no distortion.
In practice on a Nikon D7200, I found the 10-24mm focal length very useful for wide angle photography. Once you’ve been using 24mm for a while, it doesn’t seem so wide angle any more, so it’s nice to be able to twist the lens and turn your viewpoint to 10mm, bringing in the entire vista in front of you.
The Nikon 10-24mm f/3.5-4.5 is sharp and focuses quickly. Obviously with a lens this wide, you’ll need to expect a fair bit of barrel distortion at 10mm. As long as you don’t place straight lines near the edges of your frame or focus too close to your subject, you can still get an image that doesn’t look warped.
The Nikon 10-24mm f/3.5-4.5 feels a little plasticky compared to some of the more expensive wide angle lenses in this review. However, as long as you look after the lens, it’ll still last a long time. Also, having it made out of plastic reduces its weight considerably… not to mention its price.
There’s also a Nikon 12-24mm wide angle lens which is a similar weight/price, but I’d still recommend the Nikon 10-24mm f/3.5-4.5. If you’re going to go ultra-wide, you may as well get the widest version, especially on a DX camera which is already reducing the ‘wideness’.
However, I still stick to my recommendation of the Nikon 10-24mm f/3.5-4.5 on this best wide angle lens roundup. The focal range in my opinion is more useful than 11-16 (which seems a little short), plus the Nikon is sharper wide open, and becomes even sharper when stopped down to f/5.6-8.
With over 170 raving customer reviews for this lens on Amazon, if you’re looking for an ultra-wide angle lens for your DX format Nikon dSLR, the Nikon 10-24mm f/3.5-4.5 really is hard to beat.WHY YOU SHOULD BUY
The best ultra wide angle zoom lens for Nikon DX cameras perfect for landscape photography, interior photography, architecture photography and more.
Nikon 14-24mm f/2.8G
Nikon 14-24mm f/2.8G Specifications
Recommended Use: Full Frame
Aperture: f/2.8
Focal Length: 14-24mm
Dimensions: 3.86 x 3.86 x 5.2 inches
Weight: 997 grams (2.2 lbs)
I was in two minds about including the Nikon 14-24mm f/2.8G in this roundup of best wide angle lens offerings. Despite having over 200 positive reviews on Amazon and legions of devoted fans, this Nikon wide angle lens really polarises opinion.
I’ve heard many stories about how photographers swear by their Nikon 14-24mm f/2.8G wide angle lens to give a look that’s unparalleled to any other wide angle lens on offer by any manufacturer. On the other hand, I’ve heard just as many stories of photographers selling their Nikon 14-24mm f/2.8G after a few weeks of use.
One thing all users agree upon though is that the Nikon 14-24mm f/2.8G is an incredible wide angle lens. It’s just whether it’s right for you or not.
Nikon 14-24mm f/2.8G | Copyright The Gehrmanns
Let’s get one thing straight – the Nikon 14-24mm f/2.8G is one big, fat, heavy and inconvenient lens!
The Nikon 14-24mm f/2.8G is actually compatible on DX cameras but I wouldn’t recommend this usage, since the lens itself is likely to be much heavier than the camera.
It’s on an FX Nikon dSLR camera that this ultra-wide angle lens really amazes, with edge-to-edge sharpness even at 14mm – no other wide angle lens in the Nikon line up can achieve such a feat. It’s arguably the sharpest ultra wide angle zoom lens of any manufacturer too.
There’s also next to no ghosting or darkening in the corners of the frame which is unusual for an ultra wide angle lens. This combined with the sharpness makes the Nikon 14-24mm f/2.8G a firm favourite with architecture and interior photographers who need the cleanest files from edge to edge at any given aperture.
Nikon 14-24mm f/2.8G | Copyright The Gehrmanns
Nikon offers several fixed ultra wide angle lens options which are undoubtedly lighter and more wieldy to use, but the Nikon 14-24mm f/2.8G has replaced them all with an all-in-one package.
If you’re looking for a Nikon wide angle lens that gives you an extreme point of view with the sharpest image, you’ll just have to put up with the shortcomings of the Nikon 14-24mm f/2.8G because it really is the best there is.
As I said at the start of this review, the Nikon 14-24mm f/2.8G is big, heavy and expensive, but for some photographers, it’s by far the favourite lens in their camera bag. It’s a speciality camera lens to be used in the right circumstances for the right kind of photographer.WHY YOU SHOULD BUY
A Nikon wide angle lens that gives you an extreme point of view with the sharpest image.
Nikon 16-35mm f/4 VR
Nikon 16-35mm f/4 VR Specifications
Recommended Use: Full Frame
Aperture: f/4
Focal Length: 16-35mm
Dimensions: 3.27 x 3.27 x 4.92 inches
Weight: 680 grams (1.5 lbs)
The Nikon 16-35mm f/4 VR is a hugely popular Nikon wide angle lens, and is a more versatile option for photographers than the formerly mentioned Nikon 14-24mm f./2,8D.
Aside from being another razor-sharp ultra wide angle lens for Nikon, the major drawcard of the Nikon 16-35mm f/4 VR is the addition of optical image stabilisation (VR = Vibration Reduction).
In fact, this is the first wide zoom to offer inbuilt optical stabilisation, allowing you to do things not previously possible with a wide angle lens.
Nikon 16-35mm f/4 | Copyright Paul Woo
Compatible with both FX and DX Nikon cameras, the Nikon 16-35mm f/4 VR offers a practical and usable focal range that’s suited to a wide range of photographers. Often with wide angle zoom lenses, you’ll find you’ll only shoot at it’s widest angle, but with this lens, that’s not the case – 35mm is a classic focal length which provides versatility for almost every situation.
It’s at the 16mm end of the focal range though that you’ll be purchasing this lens for, and fortunately, it performs very well indeed. 16mm is considered ultra-wide angle, and the first time you look through the viewfinder, the field of view is almost dizzying!
Obviously f/4 isn’t great for lowlight situations, despite the impressive image stabilisation functionality of this lens. However, if you’re shooting in good light or on a tripod in lowlight (as most landscape/architecture photographers will be doing), the Nikon 16-35mm f/4 VR is a great value wide angle lens.
Nikon 16-35mm f/4 | Copyright Tony Webster
The Nikon 16-35mm f/4 VR is ultra sharp, and focus is fast and accurate. At 16mm you should expect some healthy distortion, but it’s fixable with one click in Lightroom as usual.
The Nikon 16-35mm f/4 VR also allows the use of front-mounted filters (unlike the aforementioned 14-24mm wide angle lens), making it a firm favourite for those wishing to shoot wide angle long exposure shots in moderate light.
If you absolutely need to shoot in low light, nothing can touch a fast wide angle lens like the Nikon 24mm f/1.4G, but if you’re going to be shooting in decent light, the Nikon 16-35mm f/4 VR is a useful and impressive lens.WHY YOU SHOULD BUY
Compatible with both FX and DX Nikon cameras, it offers a practical and usable focal range that’s suited to a wide range of photographers.
The Best Wide Angle Lens for Canon Cameras
As for Canon wide angle lenses, Canon currently offers 13 wide and ultra-wide EF and EF-S prime lenses for its full frame and APS-C (cropped sensor) dSLRs. There are also seven wide angle zoom lenses in the series, bringing the grand total to 20 Canon wide angle lens options for photographers.
Canon even offers an extreme wide angle lens focal length for users wanting to include 180 degrees of the scene in front of them with the crazy Canon 8-15mm f/4 Fisheye USM, which can be used on both full frame and APS-C to achieve the warped fisheye look.
Whilst a fisheye lens is certainly niche, other wide angle Canon lenses are extremely popular, finding a place in many of the photographers’ camera bags here on Shotkit.
Canon 16-35mm f/2.8 L II
Canon 16-35mm f/2.8 L II Specifications
Recommended Use: Full Frame
Aperture: f/2.8
Focal Length: 16-35mm
Dimensions: 3.5 x 3.5 x 4.41 inches
Weight: 635 grams (1.4 lbs)
This Canon wide angle lens is big, heavy and expensive… but consistently named as the most popular Canon wide angle zoom lens available today.
The Canon 16-35mm f/2.8 L II replaces the first version of this classic Canon wide angle lens, bringing with it a sharper image when shot wide open at f/2.8, which is where the majority of its users will no doubt be shooting.
Construction is solid as with all L series lenses of this calibre, and images are contrasty and clear.
Canon 16-35mm f/2.8 | Copyright Ian Plant
One thing to note is that if you’re a landscape or architecture photographer who uses filters, the Canon 16-35mm f/2.8 L II requires the larger 82mm format filter.
The Canon 16-35mm f/2.8 L II has been a staple for many working pros for several years now and it’s easy to see why. Solid construction, fast focusing, a versatile focal range and sharp image reproduction combines to create a lens that is for many zoom lens shooters the best wide angle lens for Canon cameras.WHY YOU SHOULD BUY
Its solid construction, fast focusing, a versatile focal range and sharp image reproduction combine to create the best wide angle lens for many zoom lens shooters.
Canon 24mm f/1.4 L II
Canon 24mm f/1.4 L II Specifications
Recommended Use: Full Frame
Aperture: f/1.4
Focal Length: 24mm
Dimensions: 3.7 x 3.7 x 3.43 inches
Weight: 648 grams (1.43 lbs)
The Canon 24mm f/1.4L II is Canon’s best prime wide angle lens available today. It’s also Canon’s widest angle lens with an aperture greater than f/2.8. If you need a Canon wide angle lens that lets in as much light as possible, there really only is one option.
For the average consumer, the price tag on the Canon 24mm f/1.4L II may seem expensive, but to the working pro, it’s a bargain – it’s also $500 cheaper than the Nikon equivalent.
The version II of this incredible lens is slightly larger than its predecessor, but it’s still well balanced on a pro dSLR body. Contrast is also much better than the first version, especially in the centre of the frame at wide apertures.
Canon 24mm f/1.4L II | Copyright Dan O’Day
Thanks to the addition of an extra rounded aperture blade, the bokeh when shot wide open is more pleasing now too. You’ll have to be close to your subject with enough background distance to create the blurred background to appreciate this though.
Although the Canon 24mm f/1.4L II isn’t particularly sharp wide open at f/1.4, stopping down to f/2.8 produces a razor sharp image. Corner sharpness is very good throughout and there is very little distortion, which is unusual for a wide angle lens.
The Canon 24mm f/1.4L II is a hugely popular lens for photojournalists and wedding photographers, who often pair it with a 50mm or 85mm on another body.
A 24mm wide angle lens allows the photographer to get close enough for a dramatic shot, whilst still including enough background to tell the story.
Canon 24mm f/1.4 | Copyright Dan O’Day
24mm is also a popular focal length to shoot group photos, but you’ll obviously have to stop down well away from f/1.4 to ensure all the members of the group are in pin sharp focus.
As with all Canon L series lenses, the Canon 24mm f/1.4L II is built like a tank to last a life time. Pro Canon lenses of this calibre hold their value very well, but don’t buy this lens if you’re thinking of selling it on in the future – once you have a go with it, it’s very hard to put down!
The Canon 24mm f/1.4L II is quite simply the best 24mm Canon lens available, and some argue that it’s the best wide angle Canon lens ever.WHY YOU SHOULD BUY
