What is the best lens for nikon d750 and what is the best lens for nikon z , in this blog we will listing down some of the best lenses for nikon d750 or dslr camera.
A lot of people ask me what lens I suggest for travel & landscape photography. There’s more to a good lens than just the “bokeh” flare, which is usually associated with expensive lenses. Good glass will give you better contrast and sharper lanscapes. If you are looking for recommendations on the best nikon lens for landscape, I would suggest the one listed below.
Best landscape lens for nikon z
Best Nikon Lens For Landscape And Travel Nikon has made a name for itself in the production of quality cameras. Over time, these cameras have been used to capture some of the most iconic photographs in history. The company is well known for the number of awards they have acquired. To this day, Nikon still produces some of the best camera equipment on the market because of its attention to detail and focus
The Nikon D850 is a stunning camera that comes with no kit lens. Nikon calls their standard lens the 24-85mm f/3.5-4.5G ED VR, but what I really want to know is: which lens should I buy? I don’t need any more kit lenses and I don’t have an unlimited budget; so what’s my best option? I run through some of the most popular landscape and travel lenses and compare each one.
Best nikon lens for landscape and travel
COMPARISON TABLE – BEST NIKON TRAVEL LENS
NameFocal LengthWeightPriceRatingReviewNikon AF S NIKKOR 85mm85mm12.3oz$$4.7Read ReviewNikon AF-P DX NIKKOR 10-20mm10-20mm8.1oz$$4.6Read ReviewNikon AF-P NIKKOR 70-300mm70-300mm1.5lbs$$4.2Read ReviewNikon AF-S FX NIKKOR 16-35mm16-35mm1.5lbs$$$4.5Read ReviewNikon AF-S FX NIKKOR 24-70mm24-70mm2 lbs$$$4.8Read ReviewNikon AF-S FX NIKKOR 50mm50mm6.5oz$4.9Read ReviewNikon AF-S NIKKOR 24-120mm24-100mm1.6 lbs$$$4.1Read ReviewNikon AF-S NIKKOR 24-85mm24-85mm1 lb$$4.5Read ReviewNikon AF-S NIKKOR 28-300mm28-300mm1.8 lbs$$$4.5Read ReviewNikon AF-S NIKKOR 35mm35mm10.8oz$$4.7Read ReviewNameFocal LengthWeightPriceRatingReview
Want to learn more about a technical term? Check out our Features Explained section below.Need buying advice? Take a look at these Things to Consider.
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REVIEWS – THE BEST NIKON LENS FOR TRAVEL
NIKON AF-S NIKKOR 24-120MM
SPECS
FOCAL LENGTH: 24-100mm
WEIGHT: 1.6 lbs
FEATURES
Zoom Ranges From Wide Angle To Telephoto
Precise Autofocus Can Easily Be Overridden Manually For More Control
Image Stabilization Provides Sharp Photos Even When Shooting Handheld
BEST FOR: ALL-AROUND VERSATILITY
If you’re looking for one travel lens to take with you that can do it all, the Nikon AF-S NIKKOR 24-120mm offers a versatile range of focal lengths in a single, high-quality zoom lens. With this lens, you can shoot wide-angle closeups then quickly zoom to a short telephoto to capture distant subjects, all without switching lenses.
The NIKKOR 24-120mm has excellent image stabilization, so your shots won’t be blurry, even when you’re on-the-go shooting handheld. The Silent Wave Motor provides precise and fast autofocus capabilities, yet you can simply switch to manual focus if you want complete control.
NIKON AF-S NIKKOR 28-300MM
SPECS
FOCAL LENGTH: 28-300mm
WEIGHT: 1.8 lbs
FEATURES
Long Telephoto Range To Zoom In On Far Away Objects
Image Stabilization Prevents Blur Even When Zoomed In
Zoom Lock Switch Prevents Lens From Accidentally Extending During Travel
BEST FOR: ZOOM RANGE
The Nikon AF-S NIKKOR 28-300mm lens is the travel lens of choice when you need a long zoom range. This lens can zoom in to full telephoto so you can capture clear shots of subjects far in the distance. At the wide end, it is suitable for landscape photos as well. However, the NIKKOR 28-300mm has a fairly slow aperture when it is zoomed in all the way, meaning it does not let in as much light as lenses with a faster aperture.
One feature that makes the NIKKOR 28-300mm lens especially nice for travel is the zoom lock switch which prevents the lens from extending accidentally in your bag during transport.
NIKON AF-S NIKKOR 24-85MM
SPECS
FOCAL LENGTH: 24-85mm
WEIGHT: 1 lb
FEATURES
Fast Autofocus So You Always Get A Sharp Shot
Image Stabilization Helps In Low Light & Handheld Situations
Produces Accurate Colors In Strong Lighting Conditions
BEST FOR: GENERAL USE
If you don’t need a long zoom range, the Nikon AF-S NIKKOR 24-85mm is a good choice for a general lens. You can shoot wide angle landscapes and also capture great portraits with this lens, but you won’t be able to zoom close to objects far away. The autofocus is precise, and you can easily switch it to manual if you need more control.
The Vibration Reduction image stabilization system is a real asset when shooting handheld, and it also automatically detects when you’re using a tripod for video and adjusts the image stabilization to allow you to still pan smoothly.
NIKON AF-S FX NIKKOR 24-70MM
SPECS
FOCAL LENGTH: 24-70mm
WEIGHT: 2 lbs
FEATURES
High Performance In Low Light Conditions
Excellent Clarity And Color Reproduction
Durable Construction That Is Both Dust & Moisture Resistant
BEST FOR: CAPTURING CANDIDS
You can’t beat the Nikon AF-S NIKKOR 24-70mm for taking pictures of people when you’re traveling. This lens captures beautifully illuminated images through its full range of zoom, and in low light, it’s great for playing with depth of field and focusing on select subjects. Internal elements in the lens are designed to provide clarity and reduce weird color effects, while special coatings prevent distracting lens reflections.
This zoom lens can capture landscapes as well, although the zoom range is not super long, so if you want a telephoto lens, you should add another lens to your kit as well.
NIKON AF-S NIKKOR 35MM
SPECS
FOCAL LENGTH: 35mm
WEIGHT: 10.8oz
FEATURES
Compact Size Is Useful For Travel
Performs Well In Various Lighting Conditions
Integrated Coating On Lens Elements Enhances Contrast
BEST FOR: VERSATILE FIXED LENS
The Nikon AF-S NIKKOR 35mm is a fixed prime lens, so you can’t zoom with it, but this focal length imitates the perspective you naturally see with your eyes, making it extremely versatile for natural shooting. The fast aperture lets in a lot of light which creates clear images, even in low light conditions. It also means the background ends up blurrier than the subject you focus on, providing a beautiful depth of field effect.
The small size of this lens means it is very easy to carry when you’re traveling. If you already have a zoom lens, this makes a great complementary lens to have in your camera bag.
NIKON AF-P DX NIKKOR 10-20MM
SPECS
FOCAL LENGTH: 10-20mm
WEIGHT: 8.1oz
FEATURES
Ultra Wide Angle Offers A Unique Perspective
Lens Elements Designed To Eliminate Distortion
Very Lightweight For Traveling
BEST FOR: WIDE ANGLE
When you want to play around with a super wide angle lens, the Nikon AF-P NIKKOR 10-20mm lets you find an interesting new point of view. This lens excels at landscapes and cityscapes, which is extremely useful when you’re traveling. It also provides a fun perspective for closer shots of people and animals, and you can focus on subjects as close as 0.8 feet away.
Though this lens lets you take cool wide angle photos with compatible Nikon cameras, it won’t work properly with all cameras, so double-check that you have a compatible camera before adding this lens to your camera kit.
NIKON AF-P NIKKOR 70-300MM
SPECS
FOCAL LENGTH: 70-300mm
WEIGHT: 1.5lbs
FEATURES
Large Zoom Ring Makes Adjustments Easy
Dust And Water Resistant Construction
Smooth Autofocus Is Also Quiet When Shooting Video
BEST FOR: ACTION PHOTOS
The Nikon AF-P NIKKOR 70-300mm lens lets you zoom in or out to follow the action of adventure, wildlife, or whatever you might encounter on your travels.The versatile focal length range of this zoom lens lets you capture both wider landscape shots along with telephoto images, and the large zoom ring makes it easy to quickly adjust your framing. The smooth autofocus also helps you catch fast-moving subjects with clarity.
Due to its durable construction which is both dust and water resistant, the NIKKOR 70-300mm lens can handle adventure travel, and the short length for a zoom lens makes it easy to pack.
NIKON AF-S FX NIKKOR 50MM
SPECS
FOCAL LENGTH: 50mm
WEIGHT: 6.5oz
FEATURES
Captures Clear Shots In Various Lighting Conditions
Extremely Lightweight Making It Easy To Carry On-The-Go
Switch Allows You To Seamlessly Change From Auto To Manual Focus
BEST FOR: NATURE PHOTOGRAPHY
The Nikon AF-S NIKKOR 50mm is a dream lens for capturing outdoor scenes just as you see them with your naked eye, since this focal length mimics your natural perspective. It is a great choice to travel with on an outdoor adventure because you can never predict weather conditions, and the NIKKOR 50mm performs extremely well in whatever lighting conditions you might find yourself in.
Because this prime lens has a fixed focal length, you’ll need to bring another lens along if you want a zoom or telephoto option. But the NIKKOR 50mm makes an ideal additional lens, especially since it is so small and lightweight.
NIKON AF-S FX NIKKOR 16-35MM
SPECS
FOCAL LENGTH: 16-35mm
WEIGHT: 1.5lbs
FEATURES
Internal Elements Reduce Lens Distortion
Image Stabilization Counteracts Blurriness
Fast Autofocus Makes It Easy To Capture Your Subject Clearly
BEST FOR: LANDSCAPES
If you love landscape photography, the Nikon AF-S NIKKOR 16-35mm lens belongs in your travel camera bag. This zoom lens lets you choose from a variety of wide angle focal lengths to perfectly capture the beautiful landscapes you discover on your outdoor travels. The image stabilization keeps your shot steady, even when you’re shooting handheld, and the design of the lens keeps your image sharp through the entire zoom range.
Since the NIKKOR 16-35mm lens only offers wide angle options, it is best paired with another lens when you’re traveling if you want a full range of focal length options.
NIKON AF S NIKKOR 85MM
SPECS
FOCAL LENGTH: 85mm
WEIGHT: 12.3oz
FEATURES
Lightweight & Compact Size Is Ideal For Travel
Aperture Provides Shallow Depth Of Field For A Blurred Background
Handles Low Light Conditions Well
BEST FOR: PORTRAITS
If you want to capture gorgeous portraits that highlight your subject while blurring the background (called a bokeh effect), the Nikon AF-S NIKKOR 85mm lens will make a useful addition to your travel lens collection. This lens also captures skin tones beautifully and handles low light conditions well, thanks to a wide aperture.
While the Nikon AF-S NIKKOR 85mm shines at portraiture, it is is a prime lens with a fixed focal length, so it is not the most versatile lens. But it is lightweight and small, so it makes a good extra travel lens.
THINGS TO CONSIDER WHEN BUYING NIKON TRAVEL LENSES
Lenses are crucial pieces of gear for any photographer and have a strong influence on the quality of shots you can capture. They also are a big investment, so it’s important to be educated as you make your choice of Nikon travel lenses. First and foremost, you should decide if you just want one lens to bring along on your travels, or if you want to build a kit of multiple lenses for more versatility. Adorama gives some great tips for figuring out which lenses you need for your travel photography.
FOCAL RANGE
When you’re choosing a Nikon lens for travel, the biggest decision is focal length. A zoom lens lets you shoot objects in the distance, while a selection of fixed prime lenses can give you the range to shoot everything from close-ups to landscapes, if you change out the lenses.
If you just want to bring one lens with you on your travels, a lens with a wide zoom range gives you the most flexibility, but a variety of lenses really opens up your options.
WEIGHT
Obviously, when you’re traveling, weight is an important consideration. If your lenses are heavy, you’re not going to want to bring them with you, and then you might miss the shot you want. Depending on where you’re traveling, it might make sense to bring only one lens, in which case it’s probably okay if it’s a heavier zoom lens. But if you’re planning to bring a few of lenses with you, it’s a good idea to note the weight to make sure your camera bag doesn’t become a burden.
FEATURES EXPLAINED
AUTOFOCUS
The internal system designed to automatically focus on the subject and maintain sharpness and clarity.
APERTURE
The part of the lens that opens to let light pass through.
There’s a misconception that landscape lens means ultra-wide angle lens.
You can use ultra-wide angle for landscape, but it truly excels in interiors where you want to emphasize a foreground object.
For the best landscape shot, you want a zoom lens for different focal lengths with a decent angle.
The best landscape lens for Nikon offers proper zoom and sharp images. Here are our favorites.
We Recommend
Best for Landscape
Nikkor 14-24mm
Best for the Money
Nikkor 24-70mmAmazon Price
Best Budget Option
Tamron SP 15-30mm
Best Landscape Lens for Nikon
- Nikon AF-S NIKKOR 14-24mm f/2.8G ED Landscape Lens
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This Nikkor is one of the best options for normal and wide-angle shots. The maximum aperture in this lens is f/2.8 and ultra-wide-angle zoom optimized for edge-to-edge sharpness.
It comes with Two Extra-low Dispersion (ED) elements and PGM aspherical lenses control chromatic aberrations while enhancing sharpness and contrast even at the widest aperture settings.
This lens has the Nikon’s Silent Wave Motor, which enables fast autofocus while being extremely quiet, which might become handy when shooting in nature.
Internal Focus (IF) provides fast and quiet autofocusing without changing the length of the lens, retaining subject-working distance through the focus range. It has a quite rugged construction with professional-grade dust and moisture resistance.
What we liked
Enhanced optical formulas
Exceptional sharpness
Image integrity is outstanding
Moisture and grade dust resistant
Rugged construction
What we didn’t like
Heavy
The lenses do not accept screw-in filters
- Nikon AF-S FX NIKKOR 24-70mm f/2.8E ED VR Zoom Lens
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The AF-S NIKKOR 24-70mm f/2.8E ED VR improves upon nearly every aspect of its acclaimed predecessor-sharpness, speed, consistency, control, and durability.
This is a truly versatile telephoto lens with a constant f/2.8 maximum aperture and electromagnetic aperture mechanism.
The optical design incorporates a unique aspherical extra-low dispersion element, in addition to three aspherical, two extra-low dispersion, and one high refractive index elements, to help reduce chromatic aberrations and distortions.
It also has an optical precision to the edge of the frame, a new aspherical extra-low dispersion (ASP/ED) element is paired with traditional as, ED and HRI elements for a thrilling new level of optical precision.
24-70mm is the sweet spot of the zoom range for many photographers, great for everything from landscape photography and studio work to weddings and press events.
The F/2.8 constant aperture allows for faster shutter speeds to freeze fast action, renders a beautiful bokeh blur, and performs brilliantly in low light.
When using vibration reduction, press the shutter-release button halfway and wait for the image in the viewfinder to stabilize before pressing the shutter-release button the rest of the way down.
What we liked
Fast f/2.8 constant aperture with an electromagnetic diaphragm
Great image quality and sharpness with virtually no distortion
4 stops of Vibration Reduction for handheld and low light shooting
Very speedy lens
Worth the money if you can afford it
What we didn’t like
Higher price
- Tamron AFA012N700 SP 15-30mm f/2.8 Di VC USD Wide-Angle Lens
The Tamron AFA012N700 SP 15-30mm f/2.8 Di VC USD Wide-Angle Lens is the best Nikon lens for landscape and travel – particularly for experienced photographers who do not want to spend too much money on a new lens.
The performance will be similar to an ultra wide angle lens Nikon offers. This is due to the adjustable focal length.
The focal range can be adjusted between 15mm and 30mm. This allows you to get more precision when configuring your camera and lens for the perfect shot.
The lens features a constant f/2.8 aperture exposure. The lens also has a nine-blade aperture design. This is a great feature for people who are looking to take bokeh shots.
The Tamron AFA012N700 SP 15-30mm f/2.8 Di VC USD Wide-Angle Lens offers a 110-degree viewing angle too. This allows you to get more imagery into every shot you take. While a professional lens, it does come at a surprisingly affordable price tag.
What we liked
Adjustable focal length
Fixed constant aperture
Wide angle lens
9 blade aperture design
Compatible with full-frame DSLR cameras
110-degree angle of view
Affordable price tag
What we didn’t like
Quite heavy
- Nikon AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR Zoom Landscape Lens
This Nikon AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens has a fast f/2.8-4 aperture, VR image stabilization, and Nikon advanced lens technology.
It covers wide-angle to portrait views with absolutely brilliant image quality. An ideal lens for landscape photography, conveying a sense of place, blogging, low light, HD video, and much more.
This is the world’s lightest 5x zoom lens with an F/2.8-4 aperture, which is excellent for softening foregrounds or backgrounds and highlighting your subject.
On a DX-format camera, it’s zoom range is equivalent to Nikon 24-120mm FX lens (35mm format), a staple in many pro camera bags.
Nano Crystal Coat virtually eliminates glare, while extra-low dispersion glass and aspherical elements reduce color aberration and enhance sharpness and contrast.
There’s even a specialized Tripod VR mode, a first for this zoom range*, that eliminates the effects of tripod vibration.
A specialized electromagnetic diaphragm mechanism operates in precise sync with the camera’s shutter for reliable exposure control during high-speed sequences.
What we liked
World’s lightest 5x zoom with an f/2.8-4 maximum aperture
Versatile zoom range that covers wide-angle to portrait views
Minimum Focus Distance: 1.15 feet.(0.35 meter)
4 stops of VR image stabilization for handheld and low light shooting
Nonstick protective fluorine coatings on the glass resist water, dirt, and smudges
What we didn’t like
Low-light performance could need improvement
Some vignetting
- Sigma 18-35mm F1.8 Art DC HSM Lens
The Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8 designed specifically for APS-C sized sensors.
This lens incorporates a wide glass-molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle.
The 18-35mm is ideal for landscape photography, portraits, casual, and close-ups. This has been my main lens for years. It is super sharp and the autofocus is out of this world.
This lens, however, is very heavy, and since I shoot with a battery grip attachment, it makes it that much heavier. This is the only negative behind this lens if you even want to consider it a negative since it is expected.
The motors are silent and the fluidity of the autofocus is insane. Sometimes I let the autofocus do its job because it keeps up with my moving subjects better than I can.
What we liked
Fast and versatile design
Art-series zoom, covering wide-angle to normal focal lengths
Bright f/1.8 constant maximum aperture, which suits its use in difficult lighting conditions
Impressive depth of field control throughout the zoom range
The 18-35mm is ideal for landscape photography, portraits, still, life, snapshots, casual, and close-ups
What we didn’t like
Not compatible with Full Frame cameras
- Nikon AF-S FX NIKKOR 20mm f/1.8G ED Fixed Lens
Nikon 20mm/1.8 is lightweight and compact with an FX-format. These lenses offer a combination of an ultra-wide perspective of a focal length worth 20mm.
The maximum ratio of reproduction in this lens is 0.23x. Aspherical lens and extra-low dispersion glass elements.
These also consist of (SWM) an innovative silent wave motor. This motor uses electronic waves for accurate, fast, and nearly quiet autofocus operations, which lie approximately 78 inches in proximity to your subject.
This lens allows you to freely capture architecture and expansive landscape photography, crowd shots, concert stages, wedding parties, and lots more. With this lens, you also have the low-light capabilities for your view.
What we liked
Compact and lightweight
Shallow depth of field
f/18 maximum aperture
Nanocrystal coat combat sagittal flare
High resolution
No ghosting
Extreme sharpness
What we didn’t like
For a perfect view, you need to go live view
With distinct good focus too the stars have distinct glares
- Nikon AF-S FX NIKKOR 16-35mm f/4G ED Zoom Lens
Nikkor 16-35mm/f4 is best option for normal and wide-angle shots. The maximum aperture in this lens is f/4 and offers two modes of focus. The lenses also offer manual and autofocus with manual override.
The lens construction consists of 12 groups and 17 elements. There is also vibration reduction, image stabilization with up to 4 stops. You can use the Nikon F mount for DX DSLRs and FX.
These lenses are extra wide in angle and ideal for capturing interiors, cityscapes, and landscape photography.
With the 16-35mm AF-S NIKKOR and f/4G ED VR, you can not only capture a perfectly complete image but also get focal lengths that cover a tremendously large range. The images also benefit greatly from the steady handgrip of the Nikon image stabilization and vibration reduction technology.
What we liked
Rich color rendition
Sharp focus
f/4 fixed aperture lens
the focal range does not compromise on depth of field or brightness
Creative bases have astonishing versatile covering
2.5 stops of blur-free shooting option manually
Does not rely heavily on a tripod
What we didn’t like
Slight compromise with a shutter speed
The lens may be slightly heavy for some users
- Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens
This Nikon’s 70-200 f/2.8 lens has been the benchmark for fast telephoto zoom lenses, unrivaled for low-light, sports, wildlife, concerts, weddings, portraits, and everyday shooting.
This is the best Nikon lens I have ever had the pleasure to use. The images are super crisp and clear all and I see no barrel distortion or chromatic aberration.
It is lighter than the previous model and has 4 stops of vibration reduction! You can remove the tripod collar or just the foot if you wish.
The buttons work very well when I want to autofocus with those and then shoot with the main button, just like using back-button autofocus.
It performs exceptionally well in low light thanks to constant f/2.8 maximum aperture. You can shoot with the aperture wide open at f/2.8 across the entire zoom range—from 70mm to 200mm.
What we liked
Masterful design
Aperture gives Creamy background
Focus and zoom rings have a reverse position and give stable zooming
Built for field
Improved AF tracking
What we didn’t like
A bit costly
Is only suitable for experienced photographers but not beginners and amateurs
- Nikon AF-S FX NIKKOR 24mm f/1.8G ED Fixed Lens
When it comes to looking at a Nikon wide-angle lens FX, some people do prefer something with a fixed focal length.
This keeps the shot stable and reduces the need for constantly switching settings to get a good shot.
The Nikon AF-S FX NIKKOR 24mm f/1.8G ED Fixed Lens is a top option for photographers looking at the best Nikon lens for hiking.
It features built-in autofocus. This lens offers a fixed focal length of 24mm.
It also has a constant minimum exposure rating of f/1.8G. It also provides great performance in a low-light condition.
It has a fast focus system. The autofocus function ensures you are able to focus on a subject without the need to manually adjust a ring.
While this is primarily a prime lens, it does feature a focal length that would also classify it as a wide-angle option. With this in mind, you can use the lens for more than just landscapes – including portraits, wildlife, and more.
What we liked
Great price tag
Good for beginners
Constant f/1.8 aperture
Fast focus system
Wide-angle prime lens
Can be used for bokeh photos
Good for more than landscapes
What we didn’t like
Does not have image stabilization
May not be suitable enough for professionals
- Tokina AT-X PRO DX for digital SLR 11-20mm f/2.8 Pro DX Lens
This Tokina AT-X PRO is a versatile wide-angle zoom for Nikon DX-format DSLRs.
It offers a 16.5-30mm equivalent focal length and features a constant f/2.8 maximum aperture for maintained brightness throughout the zoom range.
One P-MO hybrid aspherical element and two glass-molded aspherical elements work in tandem to minimize distortions and control various aberrations while three SD ultra-low dispersion elements reduce chromatic aberrations for increased clarity.
It’s well-suited to working in a wide variety of situations, and this ultra-wide zoom covers an array of wide-angle perspectives while maintaining consistent illumination for working in challenging lighting.
The main reason I decided to purchase this lens in the first place was for night landscape photography. The 11-20 was supposed to fix several issues the 11-16 had while adding 4mm to the focal range.
This lens is one of my favorite and most used. I couldn’t be happier with the choice—great quality and no troubling issues to speak of.
What we liked
The lens is very, very sharp
Build quality is great
Zoom ring feels just right (not too stiff, not too loose)
Constant f/2.8 maximum aperture for maintained brightness throughout the zoom range
Very versatile lens
What we didn’t like
May have some flare when in direct sunlight (depends on what you shoot)
- Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens
The Nikon 10-24mm zoom is ideal interiors, cityscapes, landscape photography, architecture, and other purposes too. It has a focal length of 10-24 mm with f/ 0.8.
This model gives you a 109 degrees angle of the image through 61 degrees. The focal length is equivalent to 15-36mm in length.
With the SWM, users have access to quiet and accurate autofocus operations. It also offers color correction and superior sharpness and efficiently reduces chromatic aberration.
With the aspherical lens present, the elements virtually reduce coma and other kinds of aberrations caused by the lens. Even under the widest aperture use, there are no malfunctions or aberrations. The model also accepts the screw-on filter type.
What we liked
Compact yet ultra-wide angle
Ideal for HD videos and photos of landscape photography
Captures with remarkable clarity
Advanced, optimized lens for DX-format
Peak performance in both HD and still shooting
Great color reproduction, contrast and image quality
What we didn’t like
A little distortion at the wide end
Manual focusing is a little tricky
- Sigma 35mm F1.4 Art DG HSM Lens
This Sigma 35mm 1.4 DG HSM is a state of the art lens designed for full-frame cameras but can also be used with APS-C sensors as well.
The 35mm 1.4 DG HSM includes new features based around a unique lens concept and design.
The 35mm is a staple focal length in the world of photography and paired with Sigma technology. This lens can take artistic expression to the next level.
The lens is equipped with technology including a Hyper Sonic Motor (HSM), floating internal focusing system, SLD, and FLD Glass elements.
The HSM ensures quiet, high speed, accurate autofocusing, while the floating focusing system allows for superior optical performance with subjects at a closer shooting distance.
The SLD glass elements, along with the FLD glass elements, which are equal to fluorite, help correct both axial and chromatic aberration. This Sigma 35mm 1.4 DG HSM is a must-have for any camera bag.
What we liked
Great value for money
F1.4 maximum aperture and is compatible with all current Nikon cameras (both DX and FX)
Ring-type ultrasonic-type AF motor with full-time manual focusing
Available in Canon EF, Nikon F (FX), Pentax KAF3, Sony Alpha, Sigma SA mounts
What we didn’t like
May be some spotty focus during lower light when shooting wide open
Types of landscape photography lenses
Wide-angle Lens
Wide-angle is better suited for landscape photography. At any given setting of the aperture, a wide-angle lens offer more depth of field. These subject distances more than telephotos.
With a wide-angle lens, photographers can obtain more sharpness in front to back images. Wide-angle lenses offer more perspective and understanding of the image.
They add more depth by distancing the horizon further away than it is in reality. Wide-angle lenses include up to 40 mm of focal length on a camera with a full-frame.
Prime lens
Prime lenses offer the best value for cost regarding image quality. They work well for photographers within a budget.
The maximum apertures of prime lenses are wider. When bending down to f16 or f11, these are more useful to shoot handheld images in low light. Nifty fifty prime lenses and bokeh are good examples.
Telephoto and Zoom
These are considerable any type of lens consisting of a more than 50 mm focal length. These lenses specialize in magnifying the subjects lying at far to moderate distances like animals and birds.
These lenses allow you to capture subjects that lie at a distance away within your landscape.
These are good for sports events and wildlife photography.
Macro Lens
Allow you to explore flower or leaves patterns, moss clumps and lichen.
They offer a limited depth of field even with small apertures.
These are good for capturing small subjects at close by distances.
What is the best focal length for landscape photography?
14mm
This focal length lies at the end of the spectrum for landscapes. It requires a massive scene and far-stretched places to capture. It covers a tremendous area from one side to the other. This focal length requires the photographer to make the best use of the foreground. The lens poses difficulties in the correct use of the foreground, dramatic and appropriate large size of landscapes, and simplifying scene so as not to overwhelm the viewer.
18m
The 18mm lens allows things to open up with no pressure on framing everything. Photographers can capture an image with fantastic foreground and steady composition without the image feeling as huge as 14mm. Offers more versatility in capturing scenes.
21mm
21mm offers great uses and opportunities to aim narrower or wider. The focal length still allows wide-open to feel but not overly wide in several situations
24mm
24mm normalize scenes. The 24mm offers the option of capturing people and urban scenes in addition to landscapes. However, these are not as ultra-wide, and the scale and grandeur slightly dip with this lens. The more photographers try to zoom in with 24 mm the more their images may flatten out. A high-quality lens offers an extremely wide-angle frame and should be less than 24mm, preferably – This allows photographers to capture more detail with the images looking more panoramic (If you regularly indulge in landscape photography, we strongly advise investing in a wide-angle lens.)
DX vs. FX
DX (Crop sensor)
DX lenses and cameras are cost-efficient. It gives a telephoto effect, which means a lens of 200mm is visually a 300 mm lens.
It also offers versatility with specifically designed smaller lenses and a normal lens too. DX gives quality images with the focus on the center of the image circle.
From the negative side, DX Offers images of the smaller viewfinder and the dim light performance is inferior to FX. Also, the dynamic range is smaller.
FX (Full-frame sensor)
FX lenses have more depth of field control and higher dynamic range. It offers true focal lengths or angle of view and has larger pixels offering better low-light performances.
The downside is that it is more costly and you are unable to use lenses having smaller sensor design. Although there are exceptions, however, full-frame cameras are usually heavier and larger.
FX and DX lenses can be interchangeably used. So if photographers decide to convert from a DX formatted DSLR camera to an FX camera, they will still manage to work just well enough with the FX lens full frame.
Production using smaller and lighter cameras is possible with the DX sensor.
An example could be that a lens of 24mm in a camera with a DX sensor will offer a view of 36mm approximately. If a photographer is upgrading to an FX-format camera from a DX, it is possible to work with DX lenses since the cameras are designed to cooperate automatically. The DX crop mode, however, automatically avoids vignetting.
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The Landscape Photography Lens Price Timeline
Bargain up to – $250 – If offers classic prime lenses with optical designs boasting modern technologies. You can get a 24mm f/2.8 lens with easy to carry compact models. They offer good color rendition and robust manual focus features. Weather resistance is available only in some models.
Budget $250 – $500 – Again, you will enjoy a wide range of features such as the wider capacity of angles, compactness, prime lenses, motor supports, optimized lens coatings, and mount lenses. You will also get filter kits with UV filter protection. You will get some protection against unwanted and distracting reflections such as glass or water etc. The best thing is the tripods you get in some models, especially the mini tabletop variety. Other features included microfiber cloth, sensor swabs, and screen protectors.
Mid-range $500-$1000 – These models usually have larger sizes of the sensor with clear images and high-quality delivery. Micro thirds and APS-C are the best options. You will also get a video recording in 4k 1080P. The lifelike video experience is a plus. The megapixels are usually higher than what you get with models in previous budget ranges.
You also get a large range of ISO for capturing premium quality images even under low-light conditions. Some models in this range will offer up to 25600 expandable ranges. Some other great features of this range include excellent quality of the viewfinder, Wi-Fi, editing features, and flash adjustability. You will see some models with bright LCDs too.
Advanced $1000-$1500 – You will usually find these with both video and still options. You can take pictures in RAW format so you can easily edit them later. Focus tracking and eye detection features are a great addition. The interface is user-friendly and 4k footages are easily available in these models. With in-body stabilization, you can take clean photos and videos even when your hands are shaking, or you are moving at high speeds.
How to Choose the Best Landscape Lens for Nikon?
Lens correction
It helps in offsetting imperfections, which are always a part of every camera image. If not performed carefully, lens correction tends to worsen the images. They correct straight lines appearing curved, darkened frame corners and color fringes near the detailed edges. Three common lens correction vignetting, distortion and chromatic aberration
Ultra-wide
Ultra-wide angle lens creates images that possess a tremendously wide angle of view. It makes a good option for landscape photographers and architectures and is an excellent fit for the foreground and surrounding photo elements. The focal length is smaller than a normal lens. Additionally, the best ultra-wide-angle is 8-16mm with an f/4.5-5.6
Low-Light Performance
Large apertures are appropriate for qualitative low-light performances. These allow photographers to control blur with fast speeds of the shutter. They have lower settings of ISO to control the noise. Shutter speeds are essential for avoiding blurs caused by camera shakes.
Aperture
Aperture affects the brightness in the images and controls the level of exposure in the pictures. Aperture can alternate in size, which varies the overall volume of light sent to the camera sensor. The brightness of the image depends on the alternations of the aperture. The sharpest aperture range is 16-35mm f/4 between f/11 and f/8.
Autofocus Speed
Autospeed offers the assurance of images being crisp, clear, and having perfect sharp focus by the majority. An optical system with autofocus uses a control system, a sensor, and a motor for focusing on manually or automatically selected areas or points. For landscape photography, autofocus is not of paramount importance because most of the scenes are static or at least not moving at great speed.
Vibration Reduction
This is a technology that works to stabilize your lens when the user’s hand trembles or is unsteady. This way, the blurry images are controlled, which are caused by unsteady usage or if the shutter speed is not up to par. A camera must have two angular velocity sensors, one that detects yaw or horizontal movement and the other, which detects the pitch or vertical movement.
Weather-Sealed
Weather sealing allows the opportunity to shoot in wet conditions or rains. The weakest links are in non-internal zoom lenses and bodies and internal zooms. It, therefore, blocks all the harmful elements for the electronic detailing in the camera- like humidity, snow, dust, and water, etc.
