Best low light lens for panasonic g7

There are many kinds of low light lens for panasonic g7. Some use wide aperture, some use telephoto, and some of them can be used both ways.

The Panasonic Lumix G7 is one of the best mirrorless cameras for low-light photography. Its lens mount adapter supports almost all thin-mount L-series lenses from Olympus and Panasonic, but you can also use some other brands. It’s compatible with lenses that have an electronic aperture ring and focus motor that supports AF on a Micro Four Thirds camera body.

The Lumix G7 is an interchangeable lens camera that allows you to change your lens depending on the subject or your mood. The best low light lens for the G7 is the standard kit lens, which is also a great walk around lens and one of Canon’s bestsellers.

Can you use canon lenses on panasonic g7

The Lumix G7 is a pretty capable camera, with a 24-72mm equivalent lens and 4K video recording capabilities. If you want to take your cameras low light capabilities to the next level, then I would recommend getting an ultra wide angle lens to start with.

There are many great options for you. If you’re looking for something on the cheaper end, we recommend the Panasonic Lumix 20mm f/1.7 II. It has amazing autofocus performance, excellent sharpness at the center, and decent to good sharpness in the corners. This lens is compatible with the Lumix GX85 and G7, but it won’t offer any full-time autofocus on those cameras — only on the GX80.

full frame equivalent lenses: Panasonic Lumix G 20mm F1.7 ASPH – The Leica-branded lens is a great choice if you are looking for a wide angle prime lens which performs well in low light, while offering excellent sharpness and contrast. With an aperture of f/1.7, it is also capable of stopping action, but the focal length requires your subject to be quite close to the camera at 35mm. The bokeh produced by this lens in background blur is very smooth, but not as good as most other lenses on this list, though it does produce decent results with f2.8 or faster aperture settings. If you use VSCO film presets or love shooting 85mm portraits with large light sources behind the subject, this would be a great choice.”

Best low light lens for panasonic g7

Are you looking to buy the best Panasonic Lumix G7 lenses in 2021?

Buying the best lens for your own needs can get quite complicated.

But in this guide, I will show you everything you need to know about Panasonic G7 lenses.

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The Panasonic Lumix G7 comes as a descendant of the first mirrorless camera, yet now it looks like a small DSLR with control points one would assume it could have.

On the other hand, it is a mirrorless camera with a touch-sensitive screen. It also packs a 16 Mpx Four third CMOS sensor, 4K video at up to 100 Mbps, 4K photo mode, and plenty of other options. 

What can photographers do to improve the performance of Panasonic Lumix G7? They can get high-quality Panasonic G7 lenses.

If you are looking to invest in lenses for your camera, you are in the right place. Below you will find the five best lenses to complement Panasonic Lumix G7 in the long run.

Table of Contents

BEST PRIME LENS FOR PORTRAIT PHOTOGRAPHY

1. PANASONIC 15MM F/1.7

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Panasonic 15mm f/1.7 is a fast, bright lens with impressive image rendering and exquisite soft-focusing effects.

It has a Nano Surface coating provided by Panasonic for ghosting and flare reduction with a filter thread of 46 mm for greater creative control.

The build quality is excellent. It’s plastic but does not feel like it has low quality or flimsy look. The low light performance is impressive. It is quite big with the lens hood but feels good on the Panasonic G7. 

The maximum aperture is excellent in producing stunning images under dim lighting, and the sharpness across the frame is impressive.

It renders images much better than the same range competition, and the bokeh effect produces stunning portraits. It also includes a nice lens hood and a good cause.

On the other hand:

The lens is much better than different lenses from the category, and the lens hood will not reverse. 

I have also noticed purple fringe under particular light and somewhat disturbing sound when focusing on a subject that sits under direct sunlight.

This Panasonic G7 prime lens also allows close-up focus, so you can stand pretty close to get a beautiful defocusing effect. The wonderful thing about four third lenses is that most of them work very well even shot fully wide open.

PROS

• Soft-focusing effect
• Stunning images
• Includes lens hood

CONS

• Some distortion under direct sunlight

BEST WIDE-ANGLE LENS FOR LANDSCAPE PHOTOGRAPHY

2. PANASONIC 12-35MM F/2.8

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Panasonic 12-35mm f/2.8 has a nano surface coating for ghosting and flare reduction.

It has an upgraded faster focus tracking with a 240 fps linear motor and an advanced Power Lumix 2.0. optical image stabilization that compensates for many cameras shakes and vibrations and enables capturing sharp, blur-free pictures. 

The lens has a 3x optical zoom and a constant f/2.8 aperture that captures images from standard to medium telephoto formats. The lens’s metal body is weatherproof, and its design can withstand splash, dust, and freeze.

The closest focusing distance is 0.25 m. This lens has proven excellent for events, for truly shallow depth of field when zoomed in and filming up close.

This lens provides buttery bokeh when used wide open. I tried using hybrid autofocus with the lens and sometimes manual one if it didn’t pull the focus in the right way. 

As long as you use it in the right light setting, it is a beautiful Panasonic Lumix G7 lens. I noticed focus buffering in dim lights, so it is a studio environment lens.

The general image quality is quite good, with good color rendering and superior contrast. Since it is small, compact, and affordable, I would call it a bargain.

PROS

• Blur-free pictures
• Weatherproof body
• Buttery bokeh

CONS

• Focus buffering in dim lights

BEST ALL-AROUND LENS FOR EVERYDAY PHOTOGRAPHY

3. PANASONIC 14-140MM F/3.5-5.6

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Panasonic 14-140mm f/3.5-5.6 lens comes with an optical 10x zoom, power optical image stabilization, and HD video support. It has a metal finish with three aspherical elements. The lens is compact and feels designed very well, and it comes in a small package.

Picture quality is outstanding, with sharpness all across the frame and virtually no distortions and aberrations. The focusing is fast and responsive, even in lowlight conditions.

Furthermore:

Dual image stabilization is phenomenal for handheld shots. I use it for both video and stills, and it is impossible to tell it’s not mounted to the stabilizer.

If, on the other hand, you want to try astrophotography or action shooting, you should consider getting a tripod since the aperture can be a limiting factor in that matter.

The images and videos are crystal clear. At any rate, the lens is pretty good for a 10x zoom and small and light, so no complaints in that regard.

However:

The mechanical shutter is known to cause specific issues, but I can’t say I had a hard time with it.

All around, if you weigh in pros and cons, this all-around Panasonic G7 lens offers reliable performance in a compact body at an affordable price.

PROS

• Crystal clear images
• Vivid colors
• Smooth zoom

CONS

• Shutter shock

BEST TELEPHOTO LENS FOR WILDLIFE PHOTOGRAPHY

4. OLYMPUS 75-300MM F/4.8-6.7

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Olympus 75-300mm f/4.8-6.7 lens is a super-telephoto shooting lens with an MSC mechanism for fast, silent autofocusing. The closest focus distance is 0.9 m, with 1.5 m with a maximum image magnification of 0.18 x.

I’ve managed to achieve amazing shots using the lens. Bright conditions make this lens stand out, but on a cloudy day, the lens can be pretty slow on autofocus, which would be my one major gripe.

It works great for astrophotography, but in this case, a tripod is a must. It is a relatively inexpensive lens compared to full-frame equivalents, and it has a flexible range thanks to its zooming range.

I found the 75-150 mm range perfect, the AF is accurate, the images are sharp, and the color rendition is Olympus’s signature. Pictures appeared quite sharp with beautiful contrast.

There are other options and even super-zoom cameras that will compete for image quality in the long end. Still, none gives you the size and adaptability of the micro four-thirds system, and this lens is a must-have for that matter.

This Panasonic Lumix G7 telephoto lens is well built, given a focal length range, aperture, and price. The plastic seems to be a high-quality industrial grade, and the whole thing feels excellent on the camera. The package is well balanced and feels good to hold.

PROS

• Sharp pictures
• Build quality
• Good value

CONS

• Slower autofocus

BEST MACRO LENS FOR MACRO PHOTOGRAPHY

5. PANASONIC 45MM F/2.8

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Panasonic 45mm f/2.8 will become your default lens after you use it.

The lens is relatively small and light, a perfect match for the Panasonic G7 lenses. It has a very well built solid construction with a blend of plastics and metal. When I compared it to the same competition range, I found it to have considerably better quality. 

The 45 mm is an internal focus lens, which means that regardless of focus distance, the lens’s front element never extends, nor does it change its position.

The 45 mm F2.8 is an excellent pro-grade lens since it is very sharp, well built, focuses quickly at normal ranges, and will search some at macro, typical for almost all Panasonic Lumix G7 lenses in the macro range. The lens will focus on 1:1 magnification directly without an extension tube. 

Vignetting is noticeable when used wide open but insignificant once stopped down. Color fringing is very mild at most apertures and not significant or detectable to most people, and I am yet to notice the distortion.

The focusing system is responsive and accurate at tracing subjects and providing fast performance. The design and price are on point, so it is an excellent choice for macro situations.

PROS

• Solid build
• Accurate focusing
• Excellent sharpness

CONS

• Noticeable vignetting when used wide open

BEST LENSES FOR PANASONIC LUMIX G7

Panasonic Lumix G7 is a rock-solid camera that combines the best of both DSLR and mirrorless technology. Although it aims not to be connected to its predecessor too much, it still uses many mirrorless cameras.

Despite that, its body is compact, like a small DSLR, and has a very stylish, distinct look. It provides a pleasant user experience and capabilities that are enough to satisfy both photographers and videographers in terms of performance.

If you equip Panasonic Lumix G7 with some of the lenses I have recommended, you are on your way to enrich your portfolio.

Visit other guides such as Panasonic GX9 lenses guide and Panasonic S1 lens tutorial.

Hopefully, this guide helped you choose the best Panasonic Lumix G7 lenses for you. If you are still not able to decide, please comment below. I will do my best to help you choose the best Panasonic G7 lens for your needs.

Happy shooting!