If your camera is a crop sensor (most DSLR cameras are) and you’re not entirely sure what focal length to use for real estate photography, we’ll help you find the best lens for real estate photography. In the US, those with a passion for real estate are trying to enter one of the most profitable industries in the country. Selling or trading properties can be tremendously rewarding.
If you’re planning to create a real estate or interior shots, this article should be useful for you. I’ll help you choose the right lens.
I’ve been doing real estate photography and video in Atlanta, GA for a few months now and I’ve been getting quite a lot of questions about the gear I use and which lenses are best for real estate photography. I’m excited to answer those questions on this blog post!
There are two lens that I always take with me when I shoot real estate photography. Before we dive into which lens is best, lets look at why a sony a6000 lens would be my first choice.
A few years ago we wrote an article about what focal length you should use when taking photos for real estate. The answer is still the same, but now I want to discuss more about what lens you should use.
As a real estate photographer you always need to be looking for the best lens for your needs. In some cases I’ve been forced to rent larger lenses from my local camera shop, but more often than not it is easier and more cost effective to just invest in a lens. This will save me money in the end. In this post I’ll list the that I use on a regular basis, and explain why each lens is an important addition to your kit. […]
Best lens for real estate photography crop sensor
In real estate photography, many professional photographers swear by the lenses they use, more so than the cameras, tripods, and lighting gear that are also key tools of the trade. Among the many attributes that the pros consider, some of the main specs involve the lens’s low-light capability, focal length, level of distortion, and optical stabilization. It’s important to know which gear will best serve you if you’re looking to get into this genre of photography. Below, seven professional real estate photographers make their claim for the best lens for real estate photography.
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Best lens for real estate photography
The Best Lens for Real Estate Photography According to:
Travis Mark
Tim Krueger
Matt Mansueto
John Muggenborg
Mindie Ballard
Michael Lefebvre
Jason Danzi
- Travis Mark: Website | Instagram
I love shooting interiors with my Canon 24mm tilt-shift. It’s a real workhorse and is sharp as a tack. It’s a wide lens, but not obnoxiously so, and let’s me capture a space realistically. The ability to shift the lens to avoid vents in a ceiling or some distracting element on a floor is just icing on the cake. - Tim Krueger: Website | Instagram
My favorite lens for Real Estate Photography is Canon’s 17-40mm F4L. It is more than enough lens for residential real estate. I shoot with that lens 95% of the time. It is a sharp lens with a lot of focal leverage to please any client.
[Relevant Reading: Real Estate Photography Pricing | Ten Tips To Being Profitable]
- Matt Mansueto: Website | Instagram
I have shot real estate for over a decade. I’ve worked with many 3rd-party branded lenses, and had a lot of success with them. That said, several years ago, I photographed the home of a prominent hand-surgeon. He was present at the time of our shoot. He looked at my gear, told me he was a hobbyist, and proceeded to present a kit that was top of the line. It totally blew mine out of the water. This shook my confidence, so I purchased the Nikon 14-24mm f/2.8 the next day.
Having the most expensive gear certainly doesn’t improve the photographer or guarantee better images, but it sure does help one’s professionalism/confidence/swagger.
- John Muggenborg: Website | Instagram
My favorite lens is Canon’s TS-E 24mm f3.5L II. I started off using Canon’s first version of this 24mm tilt-shift back in 1999 and I thought it was great then because of its large image circle and its ability to provide shifts and tilts in a 35mm format. I used the shift feature when shooting architecture and considering that I was mostly shooting film then, it was essential to correct for parallax error in-camera since I really didn’t have a ‘second chance’ to correct for it in post processing like we do in digital today.
Despite the digital effects available today this lens is still relevant – enough so, that when Canon came out with a version II of this lens in 2009 I rented it once and realized how much sharper they’d engineered the glass that I bought it immediately.
I’m shooting mostly architecture and interiors these days and this lens is ideal for that type of work. I find the field of view with the 24mm on a 35mm sensor to be wide enough in most interior situations without being so wide that it causes spaces to feel vast and distant.
[Related Reading: How To Become A Real Estate Photographer | Step By Step Guide]
- Mindie Ballard: Website
Calling this my favorite lens for real estate photography may be an understatement, because I couldn’t function without my Canon 16-35mm f/4 lens. It allows me to capture an entire room, large or small, without the space looking distorted or unrealistic. My favorite use of this lens is to stand back and zoom in on a particular area like a fireplace mantel or living room vignette. It just gives the perfect perspective.
Best lens for real estate photography Mindie Ballard Hyco Lake Living Room
Best lens for real estate photography Mindie Ballard Hanover Entry
Best lens for real estate photography Mindie Ballard Laburnum Park Kitchen
- Michael Lefebvre: Website | Instagram
My go-to lens for everyday real estate photography is my trusty Canon EF 16-35mm f/4L. For real estate, I’m trying to be as efficient as possible, and for me that means moving quickly. I don’t have the time to fuss with tilt-shift ridiculousness for run-of-the-mill real estate work and the 16-35mm gives me all the coverage I generally need for a real estate shoot.
Most of my best stuff happens right around 24mm, and that seems to be right in this lens’ sweet spot. Plus, if I need to crank it out to 16mm, it’s there if I need it (I’m shooting on a full frame Canon 6D to get the true 16mm). I feel the f/4 version of the lens is just as good (if not slightly sharper) than the f/2.8 version. Moreover, it’s significantly less expensive, which scores points with a cheap guy like me! In addition, the lens distortion is very manageable in post. For that reason, I have to say this thing is just a beast! For 95% of my everyday real estate work, this lens does the heavy lifting. I’d buy it again in a second if I had to.
- Jason Danzi: Website | Instagram
As a professional real estate photographer, I’m often asked about my work, especially my lens preferences. Choosing the right lens for real estate photography can be tough, however. Because it fits my full-frame Canon perfectly and offers great wide-angle performance in low-light conditions, my favorite lens is the Canon EF 16-35mm f/4L IS USM. Sometimes, I simply can’t get ideal lighting in a home. When that happens, I reach for this lens. It handles lower-light scenes, especially one that maintains clarity without too much distortion.
Here’s a recap of these seven photographers’ favorite lenses for photographing real estate:
- Canon TS-E 24mm f/3.5L II Tilt-Shift Lens
- Canon EF 17-40mm f/4L USM Lens
- Canon EF 16-35mm f/4L IS USM Lens
- Nikon AF-S Nikkor 14-24mm f/2.8G ED Lens
