Hey there! I’ve been doing some research and think I found a good lens for my car photography. I’m having difficulty deciding between the Nikkor AF-S 24mm ƒ/1.4G ED and Nikkor AF-S 50mm ƒ/1.4G ED. Which one should I get?

I haven’t written a blog in ages, as I have to catch up with so many things. Yet, at the same time, I need to write… just because it helps me organize my thoughts and increases productivity. So here is what’s on my mind right now: why do photographers need a 50mm lens? Isn’t a 35mm just enough? What makes the difference between these two lenses? [Read More…]

Best lens for car rollers

You’re probably wondering what makes a good lens for car photography, right? Well, there are dozens of lenses which you could choose from. But are they all great for car photography? How do you even choose a good lens? I’ve been there and, let me tell you! It’s no fun at all! To help me choose my best lens for car photography, I decided to read some in-depth reviews about the best lenses for macro shooting — so that I could understand how other people chose their lenses.

Are you in love with cars and car stereos too? If you have an interest in automotive audio, then you must have seen some videos on YouTube of the best sound systems in the automobile world. Today, we’ll show you how go pro will definitely help you to add some more life to this amazing, engaging and popular hobby.

As one of the largest manufacturers of cameras, one of our specialties is best lens for car photography sony a6000. With Solaroid, you are guaranteed to find the most stylish and extravagant cameras for your photography. Solaroid’s experts survey the globe for the most beautiful and unique camera models, then handpick them for our curated collection. We have a collection of unique camera that includes best multipurpose lens for sony a6000, best lens for sony a6000 2020 and best fuji lens for car photography.

Best lens for car videography


With the best technologies, values, and styles, we offer the world’s best lens for car photography reddit. The designs of cameras vary widely. Solaroid’s official website is the best place to buy sony a6400 car photography. We have a wide range of highly regarded cameras on the market. For the sony a7iii car photography settings, visit our website. You can choose from many different bridge camera designs available today. Choose now!

Canon is a Japanese manufacturer whose focus is on the creation of imaging and optical products such as DSLRs, camcorders, digital cameras, lenses, and many other things. A master at their craft, Canon has been able to create some of the best lenses in the market today. Any photographer/videographer worth their salt understands the importance of having a great lens for capturing their imagery and telling their story.

Picking out a lens depends on what your needs are and what type of video you intend on shooting as there are numerous types of lenses ranging from fisheye, prime telephoto, and macro lenses. Even then, this does not make picking out a lens any easier as Canon has so many options that you can choose from. However, the bottom line remains that regardless of what lens you go for, it must complement your videography.

Below is a comprehensive list of some of the great options available from Canon that you can use to take your videography to the next level and unlock new possibilities.

1. Canon EF-S 18-135mm f/3.5-5.6 IS STM

Canon EF-S 18-135mm f:3.5-5.6 IS Standard Zoom Lens for Canon Digital SLR Cameras 3Canon EF-S 18-135mm f:3.5-5.6 IS Standard Zoom Lens for Canon Digital SLR Cameras 1Canon EF-S 18-135mm f:3.5-5.6 IS Standard Zoom Lens for Canon Digital SLR Cameras 2Canon EF-S 18-135mm f:3.5-5.6 IS Standard Zoom Lens for Canon Digital SLR Cameras 3Canon EF-S 18-135mm f:3.5-5.6 IS Standard Zoom Lens for Canon Digital SLR Cameras 1

Intro:

If you are trying videography for the first time, then this would be a great beginner’s option. Introduced to the market in 2013, the EF-S 18-135mm f/3.5-5.6 IS STM features Canon’s infamous stepper motor technology and dedicated optical image stabilization which means that you can shoot shake-free images from a hand-held position and the autofocus feature ensures that your videos are free of noise

Pros:

  • You can achieve wide-angle to telephoto range coverage using the EF-S 18-135mm f/3.5-5.6 IS STM.
  • Has spectra coat on the different elements that rid images of ghosting and flare.
  • You can quickly switch between manual and autofocus options.

Cons:

  • Chromatic aberration is frequent and very noticeable with images shot using this lens.
  • At 135mm you can notice color misalignment on images shot using the lens.

2. Canon EF 50mm f/1.8 II STM Lens

Canon EF 50mm f:1.8 STM Lens 5Canon EF 50mm f:1.8 STM Lens 1Canon EF 50mm f:1.8 STM Lens 2Canon EF 50mm f:1.8 STM Lens 3Canon EF 50mm f:1.8 STM Lens 4Canon EF 50mm f:1.8 STM Lens 5Canon EF 50mm f:1.8 STM Lens 1

Intro:

Aptly nicknames the nifty fifty, the Canon EF 50mm f/1.8 STM Lens features a full-frame Format/EF-mount lens, an aperture range of f/1.8 to f/22, and a super spectra coating. It makes for a great everyday use lens and works great in low light conditions. This lens is one of the most popular Canon lenses and not just for its price. It is one of the first lenses that introduced the prime wide aperture for a lot less. It also resolved a lot of the challenges that its predecessor had, and many users viewed this as an upgrade.

Pros:

  • It is reasonably priced.
  • The overall build and finish quality have improved from its predecessor. However, keep in mind that the construction is still predominantly plastic.
  • Shallow depth to field effects are achievable on the EF 50mm f/1.8 STM lens

Cons:

  • The lens does not offer the best bokeh due to its 5-blade aperture.

3. Canon 10-18mm f/4.5-5.6 IS STM Lens

Canon EF-S 10-18mm f:4.5-5.6 IS STM Lens 2Canon EF-S 10-18mm f:4.5-5.6 IS STM Lens 1Canon EF-S 10-18mm f:4.5-5.6 IS STM Lens 2Canon EF-S 10-18mm f:4.5-5.6 IS STM Lens 1

Intro:

Featuring the Stepper Motor technology by Canon, the 10-18mm f/4.5-5.6 IS lens could not mist on this list as it is a great video lens merely because it can capture some of the best wide-angle shots that tend to be elusive in videography. This lens delivers a great price to performance ratio and features, a single aspherical element, a large-diameter element, and one ultra-low dispersion element. All these features work simultaneously to give you crisp, clean images without spherical or chromatic aberrations.

Pros:

  • It is incredibly silent thanks to the stepper motion technology which makes video shooting noiseless
  • The lens has been equipped with excellent optical image stabilization that optimizes capturing of some good images void of camera shake when the camera is held by hand.
  • The usage of shallow depth of field and other selective focus methods are achievable on this Canon lens as it has a seven-blade diaphragm that is rounded and enhances the focus quality.

Cons:

  • With a maximum aperture of f4.5, this lens’s capabilities in low light are unexceptional.
  • It is constructed from plastic; the 10-18mm f/4.5-5.6 IS lens has a cheap look and feel to it.

4. Canon EF 8-15mm f/4L Fisheye USM Ultra-Wide Zoom Lens

Canon EF 8-15mm f:4L Fisheye USM Ultra-Wide Zoom Lens for Canon EOS SLR Cameras 1Canon EF 8-15mm f:4L Fisheye USM Ultra-Wide Zoom Lens for Canon EOS SLR Cameras 1Canon EF 8-15mm f:4L Fisheye USM Ultra-Wide Zoom Lens for Canon EOS SLR Cameras 1

Intro

One of the more versatile Canon lenses, the EF 8-15mm f/4L Fisheye is characterized by a 180 degrees view angle that achieves the circular and fisheye image effects synonymous with fisheye lenses. It is also equipped with a ring-type USM mechanism that allows users to override manual focus while demonstrating excellent autofocus capabilities.

Pros

  • You can achieve diagonal fisheye and circular images with the EF 8-15mm f/4L lens.
  • Regardless of the conditions, the autofocus is speedy.
  • It is weather-sealed and usable in even the most intense weather conditions.
  • It is great for optimizing creativity since users can achieve creatively distorted yet dramatic images.

Cons

  • It is not the most natural lens to use as it was designed for professionals. Amateurs may struggle to achieve great optics with this lens as it requires practice.
  • Occasional chromatic aberrations will occur in instances where the subject and background light were dissimilar.
  • Can scratch easily as the lens cover is somewhat ill-fitting.

5. Canon EF 135mm f/2 L USM Lens

Canon EF 135mm f:2L USM Lens for Canon SLR Cameras – Fixed 2Canon EF 135mm f:2L USM Lens for Canon SLR Cameras – Fixed 1Canon EF 135mm f:2L USM Lens for Canon SLR Cameras – Fixed 2Canon EF 135mm f:2L USM Lens for Canon SLR Cameras – Fixed 1

Intro:

A member of the Canon “L” series family, this long-focus lens by Canon is one of the best lenses for shooting video. This is not only because of its ability to shoot subjects that are moderately far but also because its build is excellent as it is made from top-tier “L” glass. The Canon EF 135mm f/2 USM lens is a favorite option for videographers who specialize in shooting documentaries and films. Because it is resistant to moisture and dust, this camera is great for shooting outdoors and in other extreme weather settings.

Pros

  • You can capture moving subjects effortlessly with the EF 135mm.
  • You can have the lens configured and fitted with a polarizer or UV protection filter depending on what tickles your fancy.
  • The f2 aperture makes it ideal for shooting in low light conditions and enables you to work with various selective focus methods.
  • Flare and ghosting are not things that you will find yourself worrying about when working with this lens only because it has a super spectra coat applied on individual elements.
  • It is resistant to moisture and dust.

Cons

  • It is not possible to zoom in using this ultrasonic motor lens.
  • It is expensive

6. Canon EF 15mm f/2.8 Fisheye Lens

Canon EF 15mm f:2.8 Fisheye Lens for Canon SLR Cameras 1Canon EF 15mm f:2.8 Fisheye Lens for Canon SLR Cameras 1Canon EF 15mm f:2.8 Fisheye Lens for Canon SLR Cameras 1View Prices!

Intro

Even though Canon discontinued it, this fisheye lens was designed for use with full-frame cameras. The Canon EF 15mm is, in my opinion, one of the good lenses as is compatible with all EF cameras. I for one I’m glad that it has endured the test of time. This is because it has an ultra-wide one-hundred-and-eighty-degree angle that enables users to capture whole scenes that are perfect and extremely intriguing effortlessly. It also has one of the shortest focusing distances and gives close-up shots an entirely new definition.

Pros

  • It has built-in internal focusing.
  • Its internal filter holder can accommodate up to three gel filters in a single instance.
  • It is reasonably priced

Cons

  • You will experience the occasional hum when shooting videos on the Canon EF 15mm f/2.8 Fisheye Lens as it focuses at an extremely slow speed.
  • Chromatic aberration occurs when shooting in harsh contrast situations. It is important to note that the chromatic aberration seems to be limited to only specific conditions and not in every other day shots.
  • It has no optical image stabilization.

7. Canon EF 50mm f/2.5 Compact Macro Lens

Canon EF 50mm f:2.5 Compact Macro Lens 4Canon EF 50mm f:2.5 Compact Macro Lens 1Canon EF 50mm f:2.5 Compact Macro Lens 2Canon EF 50mm f:2.5 Compact Macro Lens 3Canon EF 50mm f:2.5 Compact Macro Lens 4Canon EF 50mm f:2.5 Compact Macro Lens 1

Intro

One of Canon’s oldest lenses to be produced, the EF 50mm f/2.5 compact Macro is an affordable option for shooting videos that require magnification commonly known as macro shots. With this camera, it is possible to delineate the subject you are shooting at any distance. This is achievable because of the floating optical system that this lens has.

Pros

  • It works exceptionally well in low light providing a shallow depth of field.
  • The bokeh that the EF 50mm f/2.5 achieves is nothing short of beautiful.
  • It is equipped with an optional life-size converter EF that facilitates the macro reproduction ratio of 1:1

Cons

  • The autofocus on the is loud and sluggish.

Conclusion

There isn’t one specific type of lens that can claim to be best for video as it’s all dependant on the skills of the videographer. The first and most important thing to remember when making your purchase is you should not purchase a lens whose sole purpose and design is to shoot photos. This is because such lenses will limit you in terms of what you can do or achieve, instead, by a lens that is designed for both purposes.

Another critical thing to consider when making your purchase is the compatibility of the lens with your camera of choice. For example, if you are using a DSLR camera, opt for a lens that has image stabilization to ensure your videos are smooth and free of camera shake. Lastly, you should check for the crop factor of the lens that you are considering and avoid comparing the focal length of different lenses as this will just confuse you.

Similar Posts